A Christmas Carol

A Christmas Carol

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Overview

A Christmas Carol is a novella by English author Charles Dickens. It was first published by Chapman & Hall on 19 December 1843. Carol tells the story of a bitter old miser named Ebenezer Scrooge and his transformation resulting from a supernatural visit by the ghost of his former business partner Jacob Marley and the Ghosts of Christmases Past, Present and Yet to Come. The novella met with instant success and critical acclaim. The book was written and published in early Victorian era Britain, a period when there was strong nostalgia for old Christmas traditions together with the introduction of new customs, such as Christmas trees and greeting cards. Dickens' sources for the tale appear to be many and varied, but are, principally, the humiliating experiences of his childhood, his sympathy for the poor, and various Christmas stories and fairy tales

Product Details

ISBN-13: 9780824980993
Publisher: Worthy Publishing
Publication date: 06/20/1985
Series: Creative Editions Series
Pages: 32
Product dimensions: 8.42(w) x 10.99(h) x 0.16(d)
Age Range: 5 - 8 Years

About the Author

Charles Dickens was a famed British novelist who began his career as a freelance reporter. One of his first works, The Posthumous Papers of the Pickwick Club, sparked his fame, and he soon began touring the US and England performing readings of his works. Today, Dickens is known as one of the most prolific Victorian authors and was a staunch advocate for the poor and social reform. Some of his most famous works include Oliver Twist (1839), A Christmas Carol (1843), A Tale of Two Cities (1859), and Great Expectations (1861).

Ángel Domínguez was born in the Basque Country in 1953. He is an award-winning illustrator of more than twenty books and is known throughout Spain. His lavish work has already been compared to some of the greatest illustrators of the past century, including one of his inspirations, Arthur Rackham. Ángel’s art has graced postage stamps, magazine illustrations, stationary, postcards, earthenware, and more. He has illustrated multiple Racehorse for Young Readers books including The Jungle Book (2016), The Twelve Days of Christmas (2017), and Beauty and the Beast (2017)  The art that he created for The Jungle Book won the CCEI Award in Spain for best illustrated book. Also notable among his work is “The King’s Gift,” which he illustrated specifically for Queen Rania of Jordan in 2000. He lives with his wife in Laredo, Spain.
 

Date of Birth:

February 7, 1812

Date of Death:

June 18, 1870

Place of Birth:

Portsmouth, England

Place of Death:

Gad's Hill, Kent, England

Education:

Home-schooling; attended Dame School at Chatham briefly and Wellington

Read an Excerpt

I have endeavoured in this Ghostly little book, to raise the Ghost of an Idea, which shall not put my readers out of humour with themselves, with each other, with the season, or with me. May it haunt their house pleasantly, and no one wish to lay it.

Their faithful Friend and Servant,

C.D.

December 1843.

STAVE ONE

Marley’s Ghost

MARLEY WAS DEAD: TO BEGIN WITH. There is no doubt whatever about that. The register of his burial was signed by the clergyman, the clerk, the undertaker, and the chief mourner. Scrooge signed it: and Scrooge’s name was good upon ’Change, for anything he chose to put his hand to. Old Marley was as dead as a door-nail.

Mind! I don’t mean to say that I know, of my own knowledge, what there is particularly dead about a door-nail. I might have been inclined, myself, to regard a coffin-nail as the deadest piece of ironmongery in the trade. But the wisdom of our ancestors is in the simile; and my unhallowed hands shall not disturb it, or the Country’s done for. You will therefore permit me to repeat, emphatically, that Marley was as dead as a door-nail.

Scrooge knew he was dead? Of course he did. How could it be otherwise? Scrooge and he were partners for I don’t know how many years. Scrooge was his sole executor, his sole administrator, his sole assign, his sole residuary legatee, his sole friend and sole mourner. And even Scrooge was not so dreadfully cut up by the sad event, but that he was an excellent man of business on the very day of the funeral, and solemnised it with an undoubted bargain.

The mention of Marley’s funeral brings me back to the point I started from. There is no doubt that Marley was dead. This must be distinctly understood, or nothing wonderful can come of the story I am going to relate. If we were not perfectly convinced that Hamlet’s Father died before the play began, there would be nothing more remarkable in his taking a stroll at night, in an easterly wind, upon his own ramparts, than there would be in any other middle-aged gentleman rashly turning out after dark in a breezy spot—say Saint Paul’s Churchyard for instance—literally to astonish his son’s weak mind.

Scrooge never painted out Old Marley’s name. There it stood, years afterwards, above the warehouse door: Scrooge and Marley. The firm was known as Scrooge and Marley. Sometimes people new to the business called Scrooge Scrooge, and sometimes Marley, but he answered to both names: it was all the same to him.

Oh! But he was a tight-fisted hand at the grindstone, Scrooge! a squeezing, wrenching, grasping, scraping, clutching, covetous old sinner! Hard and sharp as flint, from which no steel had ever struck out generous fire; secret, and self-contained, and solitary as an oyster. The cold within him froze his old features, nipped his pointed nose, shrivelled his cheek, stiffened his gait; made his eyes red, his thin lips blue; and spoke out shrewdly in his grating voice. A frosty rime was on his head, and on his eyebrows, and his wiry chin. He carried his own low temperature always about with him; he iced his office in the dog-days; and didn’t thaw it one degree at Christmas.

External heat and cold had little influence on Scrooge. No warmth could warm, nor wintry weather chill him. No wind that blew was bitterer than he, no falling snow was more intent upon its purpose, no pelting rain less open to entreaty. Foul weather didn’t know where to have him. The heaviest rain, and snow, and hail, and sleet, could boast of the advantage over him in only one respect. They often “came down” handsomely, and Scrooge never did.

Nobody ever stopped him in the street to say, with gladsome looks, “My dear Scrooge, how are you? when will you come to see me?” No beggars implored him to bestow a trifle, no children asked him what it was o’clock, no man or woman ever once in all his life inquired the way to such and such a place, of Scrooge. Even the blindmen’s dogs appeared to know him; and when they saw him coming on, would tug their owners into doorways and up courts; and then would wag their tails as though they said, “no eye at all is better than an evil eye, dark master!”

But what did Scrooge care? It was the very thing he liked. To edge his way along the crowded paths of life, warning all human sympathy to keep its distance, was what the knowing ones call “nuts” to Scrooge.

Once upon a time—of all the good days in the year, on Christmas Eve—old Scrooge sat busy in his counting-house. It was cold, bleak, biting weather: foggy withal: and he could hear the people in the court outside, go wheezing up and down, beating their hands upon their breasts, and stamping their feet upon the pavement-stones to warm them. The city clocks had only just gone three, but it was quite dark already: it had not been light all day: and candles were flaring in the windows of the neighbouring offices, like ruddy smears upon the palpable brown air. The fog came pouring in at every chink and keyhole, and was so dense without, that although the court was of the narrowest, the houses opposite were mere phantoms. To see the dingy cloud come drooping down, obscuring everything, one might have thought that Nature lived hard by, and was brewing on a large scale.

The door of Scrooge’s counting-house was open that he might keep his eye upon his clerk, who in a dismal little cell beyond, a sort of tank, was copying letters. Scrooge had a very small fire, but the clerk’s fire was so very much smaller that it looked like one coal. But he couldn’t replenish it, for Scrooge kept the coal-box in his own room; and so surely as the clerk came in with the shovel, the master predicted that it would be necessary for them to part. Wherefore the clerk put on his white comforter, and tried to warm himself at the candle; in which effort, not being a man of a strong imagination, he failed.

“A merry Christmas, uncle! God save you!” cried a cheerful voice. It was the voice of Scrooge’s nephew, who came upon him so quickly that this was the first intimation he had of his approach.

“Bah!” said Scrooge, “Humbug!”

He had so heated himself with rapid walking in the fog and frost, this nephew of Scrooge’s, that he was all in a glow; his face was ruddy and handsome; his eyes sparkled, and his breath smoked again.

“Christmas a humbug, uncle!” said Scrooge’s nephew. “You don’t mean that, I am sure?”

“I do,” said Scrooge. “Merry Christmas! What right have you to be merry? what reason have you to be merry? You’re poor enough.”

“Come, then,” returned the nephew gaily. “What right have you to be dismal? what reason have you to be morose? You’re rich enough.”

Scrooge having no better answer ready on the spur of the moment, said, “Bah!” again; and followed it up with “Humbug.”

“Don’t be cross, uncle,” said the nephew.

“What else can I be” returned the uncle, “when I live in such a world of fools as this? Merry Christmas! Out upon merry Christmas! What’s Christmas time to you but a time for paying bills without money; a time for finding yourself a year older, and not an hour richer; a time for balancing your books and having every item in ’em through a round dozen of months presented dead against you? If I could work my will,” said Scrooge, indignantly, “every idiot who goes about with ‘Merry Christmas,’ on his lips, should be boiled with his own pudding, and buried with a stake of holly through his heart. He should!”

“Uncle!” pleaded the nephew.

“Nephew!” returned the uncle, sternly, “keep Christmas in your own way, and let me keep it in mine.”

“Keep it!” repeated Scrooge’s nephew. “But you don’t keep it.”

“Let me leave it alone, then,” said Scrooge. “Much good may it do you! Much good it has ever done you!”

“There are many things from which I might have derived good, by which I have not profited, I dare say,” returned the nephew: “Christmas among the rest. But I am sure I have always thought of Christmas time, when it has come round—apart from the veneration due to its sacred name and origin, if anything belonging to it can be apart from that—as a good time: a kind, forgiving, charitable, pleasant time: the only time I know of, in the long calendar of the year, when men and women seem by one consent to open their shut-up hearts freely, and to think of people below them as if they really were fellow-passengers to the grave, and not another race of creatures bound on other journeys. And therefore, uncle, though it has never put a scrap of gold or silver in my pocket, I believe that it has done me good, and will do me good; and I say, God bless it!”

The clerk in the tank involuntarily applauded: becoming immediately sensible of the impropriety, he poked the fire, and extinguished the last frail spark for ever.

“Let me hear another sound from you” said Scrooge, “and you’ll keep your Christmas by losing your situation. You’re quite a powerful speaker, sir,” he added, turning to his nephew. “I wonder you don’t go into Parliament.”

“Don’t be angry, uncle. Come! Dine with us to-morrow.”

Scrooge said that he would see him—yes, indeed he did. He went the whole length of the expression, and said that he would see him in that extremity first.

“But why?” cried Scrooge’s nephew. “Why?”

“Why did you get married?” said Scrooge.

“Because I fell in love.”

“Because you fell in love!” growled Scrooge, as if that were the only one thing in the world more ridiculous than a merry Christmas. “Good afternoon!”

“Nay, uncle, but you never came to see me before that happened. Why give it as a reason for not coming now?”

“Good afternoon,” said Scrooge.

“I want nothing from you; I ask nothing of you; why cannot we be friends?”

“Good afternoon,” said Scrooge.

“I am sorry, with all my heart, to find you so resolute. We have never had any quarrel, to which I have been a party. But I have made the trial in homage to Christmas, and I’ll keep my Christmas humour to the last. So A Merry Christmas, uncle!”

“Good afternoon!” said Scrooge.

“And A Happy New Year!”

“Good afternoon!” said Scrooge.

His nephew left the room without an angry word, notwithstanding. He stopped at the outer door to bestow the greetings of the season on the clerk, who, cold as he was, was warmer than Scrooge; for he returned them cordially.

“There’s another fellow,” muttered Scrooge; who overheard him: “my clerk, with fifteen shillings a-week, and a wife and family, talking about a merry Christmas. I’ll retire to Bedlam.”

(Continues…)



Excerpted from "A Christmas Carol"
by .
Copyright © 2014 Charles Dickens.
Excerpted by permission of Penguin Publishing Group.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

Table of Contents

Christmas Eve -- The first of the three spirits -- The second of the three spirits -- The last of the spirits -- The end of it.

What People are Saying About This

From the Publisher

"A sure-fire tear-jerker. At one public reading by Dickens in Boston, there were 'so many pocket handkerchiefs it looked as if a snowstorm had gotten into the hall.'"  —Sunday Express

"It has it all: a spooky ghost story, a heartwarming redemption, and a great plot with a satisfyingly ending."  —Times

EBOOK COMMENTARY

"A sure-fire tear-jerker. At one public reading by Dickens in Boston, there were 'so many pocket handkerchiefs it looked as if a snowstorm had gotten into the hall.'"  —Sunday Express

"It has it all: a spooky ghost story, a heartwarming redemption, and a great plot with a satisfyingly ending."  —Times

Reading Group Guide

This reading group guide for An Atlas of Impossible Longing includes an introduction, discussion questions, and ideas for enhancing your book club. The suggested questions are intended to help your reading group find new and interesting angles and topics for your discussion. We hope that these ideas will enrich your conversation and increase your enjoyment of the book.

INTRODUCTION

In this reimagining of Charles Dickens’s classic, Great Expectations, Pip is an orphaned young werewolf living with his ill-tempered sister and her gentle husband, the blacksmith Joe Gargery. One fateful night, visiting his parents’ grave under the full moon, Pip encounters a frightening stranger—another werewolf and a convict no less. Too afraid to do anything other than obey the stranger’s instruction, Pip helps this convict and sets in motion of chain of events that will forever change the course of his life. Pip is sent to reside with Miss Havisham, a vampire who was sired and left on her wedding day by the one she loved. She has adopted Estella and raised her as a vampire slayer, to seek revenge on the supernatural creatures that she blames for her ruin. Pip, in awe of Estella’s beauty, falls instantly in love with her despite the fact that she has been trained to hate all “Scapegraces.” When an anonymous benefactor sends Pip to London to become a gentleman, he believes it is his chance to win Estella’s hand. The question that lies ahead is whether Pip will be able to overcome his wolfish ways and turn his once grave expectations for himself into great ones.

TOPICS AND QUESTIONS FOR DISCUSSION

1. In Pip’s world, the term “Scapegraces” is used to define “those of a supernatural sort” (p. 11). What do you think this term implies about the way that creatures like werewolves and vampires were viewed in this society?

2. On page 12, Pip wonders, “Was it a crime to merely be different?” While being a werewolf is simply a condition inherited at birth, vampires prey on the living to increase their population, and yet are “considered civilized and welcome to mix in society.” Is one creature more monstrous than the other? Do both werewolves and vampires have the capacity for good and evil?

3. After being invited to Miss Havisham’s and then later learning of his anonymous benefactor, Pip often feels ashamed of his roots, and of Joe’s commonness even more so than his own Scapegrace status. Yet Joe never seems to exhibit any embarrassment over Pip’s wolfishness. What does this say about each of their characters? What influences the focus of Pip’s shame?

4. When Mrs. Joe dies (the first time), Pip finds what he knows to be evidence of Magwitch’s crime, but he still does not accuse him. Why do you think Pip believes that Magwitch is innocent of this crime when the main piece of evidence points directly to him?

5. Throughout most of the story, Estella is cold-hearted and shows no affection for Pip despite his unwavering love for her. Why should he love someone who could possibly end up killing him in her crusade against Scapegraces? What makes him fall in love with her in the first place? Why do you think Pip continues to pursue someone who will never return his feelings?

6. Pip and Herbert have a very special friendship. Do you think this brotherly love grew out of the wolfish need to be part of a pack? Or something more human?

7. While Miss Havisham is herself a vampire, she has trained Estella in the ways of vampire slaying. Pip wonders “if Miss Havisham weren’t really wishing to be staked by Estella one day in raising her to such an art” (p. 235). Do you agree? Do you think Miss Havisham’s eventual outcome either supports or refutes this opinion? Why does Estella never stake her, if indeed her mission is to kill vampires?

8. Pip is horrified when he finds out the Magwitch has been his anonymous benefactor all along. Why do you think this revelation is so abhorrent to Pip, when he seems so willing to not only protect Magwitch and keep him safe, but to also protect his feelings by not revealing his disappointment?

9. On page 284, Pip explains to Miss Havisham that there are certain Scapegraces who “showed more humanity than the humans.” Discuss which of the Scapegraces behave with the utmost humanity, and which of the human characters exhibit what could be categorized as monstrous behavior?

10. How does the discovery of Estella’s parentage change things for Pip? Does it change your opinion of her?

11. Why is it so easy for Joe and Biddy to forgive Pip after he had neglected them for so many years? Should Joe have been angry that Pip spent so much time visiting Magwitch after he was captured, when he never kept up his visits to Joe like he had promised?

12. Though Estella is able to eventually see the goodness in werewolves, she never changes her opinion of vampires. Why do you think she can pardon and accept most Scapegraces and still seek vengeance against vampires?

ENHANCE YOUR BOOK CLUB

1. Grave Expectations is a reimagining of Charles Dickens’s classic Great Expectations. Have you read Great Expectations before? If so, how did the supernatural version compare to the classic? What remained the same in this new version of the story? What changed? If not, choose Great Expectations for your next book club pick.

2. Grave Expectations is a literary mash-up—where a fictional classic is retold in present day or with mythical substitutions. Examples include Pride and Prejudice and Zombies or the movie Clueless, which was essentially Jane Austen’s Emma set in Beverly Hills during the 1990s. Try creating a literary mash-up of your own with your book club. Pick a favorite classic and retell the story as though it took place in the present day or with some supernatural characters. The more imaginative, the better!

3. Legends of werewolves and vampires have been carried down through the centuries. How does their depiction in this work compare with your preconceived notions of such supernatural creatures?

Customer Reviews

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A Christmas Carol (Classics for Young Readers Series) 4.2 out of 5 based on 0 ratings. 63 reviews.
Guest More than 1 year ago
I once heard it said that to appreciate Dickens best, one should read his stories aloud. I have never had the time to try to do this, but having just listened to a new unabridged reading of A Christmas Carol from Random House, I can see the validity of the statement. Playing the CD's I felt as if the narrator was, in the words of Dickens himself, 'standing in the spirit at your elbow.' And what a narrator! The multi-talented Jim Dale reads the story...no, that is not correct...Jim Dale PERFORMS the story. I counted 42 voices in the three-hour recording. Jim Dale is well known for his over 200 voices (and counting) bringing to life all of the characters in the Harry Potter books, which he also records for Random House's Listening Library. I first saw Jim Dale in the 1977 Disney movie Pete's Dragon where he played the bumbling villain. The next year he played three hilarious characters in another Disney film, Hot Lead and Cold Feet. I was lucky to see him in two musicals on Broadway, in Barnum, and Me and My Girl. Both very memorable performances. I plan to see him next month as he sings and dances Scrooge in Madison Square Garden's Christmas Carol - The Musical. I figure if he is great in the audiobook, he will be even better on stage. An actor has only two tools...his voice and his body. In the audiobooks, of course, only the voice can be used. And Dale's voice talents are well showcased here. I often found myself laughing out loud, thanks to the combined genius of Dickens and Dale. In a couple of cases, the genius is pure Dale. At one point he adds a bit of a dog's panting that really cracked me up. I have seen and/or heard other wonderful actors do one-man renditions of A Christmas Carol. A number of years ago a friend played a tape for me of John Gielgud doing an abridged version. I saw Patrick Stewart do his acclaimed one man show on Broadway; from the first row! And I have seen the author's great-great grandson, Gerald Dickens do his skilled and energetic version several times. They are all memorable and it would be impossible to say which was the best. But I can heartily recommend that Jim Dale's version be added to the family library. It is complete, it is accurate and it is a virtuoso performance. Although I certainly know the story well, I found by listening to the audiobook I was paying closer attention to the lesser known parts...the parts that, to be honest, I usually would skim over when rereading the book. In fact, there were several sections where I felt as if I were hearing them for the first time. Marvelous sections. I couldn't believe I had missed them in the past. Maybe Jim Dale's voice just made them more vibrant than my own inner voice. I suppose that asking me to review Jim Dale reading A Christmas Carol really isn't fair. One of my favorite performers reading my favorite story by my favorite author! But surely I am not alone. Dickens is universally known as England's greatest novelist. I wouldn't be surprised if Jim Dale was gaining a reputation as one of the world's greatest readers of audiobooks. They are both master storytellers. And to quote the Dickens himself, 'If that's not high praise, tell me higher, and I'll use it.'
Guest More than 1 year ago
Since 1843 the timeless story A Christmas Carol has been as much a part of our holiday season as Santa and wreaths on the door. Many of us have heard it dozens of times; others may be hearing it for the first time. For those who have heard it - what's old is new again with this incredible performance by acclaimed actor Jim Dale. For those who have not heard it as yet - let this recording be your introduction. Mr. Dale is the quintessential Ebenezer Scrooge, the most miserly of misers. Without missing a beat this talented performer becomes the ebullient, hopeful Bob Cratchit, as well as the chillingingly mysterious Christmas Eve visitors - the Ghosts of Christmas Past, Christmas Present, and Christmas Future. Well remembered for the characters he enlivened with the Harry Potter audio books, Mr. Dale has garnered a bevy of awards including a Tony Award, four Drama Desk Awards, a Grammy Award, and an Academy Award nomination. This year there's more frosting on the cake - in the 2003 Royal Birthday Honours List, Queen Elizabeth II bestowed Jim Dale with an MBE, Member of the Order of the British Empire. Hearing this reading of 'A Christmas Carol' is not only a superb listening experience but a heartwarming reminder of the meaning of Christmas.
Anonymous More than 1 year ago
I never tire of reading this story at Christmastime! It is one of my favorite traditions.
AnnadelCDye on LibraryThing More than 1 year ago
I have seen the movies lots of times, but reading the book for the first time was awesome. The way the old english is written gives it a special flavor. The story of a miser that hates Christmas and cares for nothing but money and how three ghosts help him change his ways, before is too late. A very good story and a great reading.
dawnlovesbooks on LibraryThing More than 1 year ago
read it every christmas
SheReadsNovels on LibraryThing More than 1 year ago
A Christmas Carol is the one classic that almost everyone knows, even if they've never read the book. It's shorter and easier to read than most of Dickens' other books and really is suitable for people of all ages. I loved it as a child and after re-reading it this week for the first time in years, I loved it as an adult too. No matter how many movies, cartoons or TV adaptions you may have seen, it's still worth reading the book for the richness and humour of Dickens' writing and for his wonderful descriptions and imagery. Although some readers might find it too sentimental at times, it's easy to see why this book has become a timeless classic, as it is everything a good Christmas story should be - heartwarming, inspirational and with an important message for us all.
theboylatham on LibraryThing More than 1 year ago

4/10.

A victorian morality tale about the old and bitter Ebenezer Scrooge and the profound experience he has one christmas eve. He is visited by three ghosts who tell him that unless he changes his ways he will be doomed.

auntieknickers on LibraryThing More than 1 year ago
Lovely pictures grace this large-format edition of the classic.
hoosgracie on LibraryThing More than 1 year ago
I had never read A Christmas Carol and listened to the fabulous recording of it by Jim Dale (he also reads Harry Potter). High recommend.
Cynfrank on LibraryThing More than 1 year ago
Fabulous unabridged reading. I'll listen to it every Christmas. Makes a great gift.
Girl_Detective on LibraryThing More than 1 year ago
What I appreciated this year in A Christmas Carol was how secular, not religious, its story was. I liked Dickens¿ dry, ironic humor, used to politely skewer certain people or their habits. This contrasted with his rich descriptions. I love this edition with Schart's lovely illustrations.
krissa on LibraryThing More than 1 year ago
I liked it. I like the language. It made me slow down and appreciate it. I knew the story, but I was surprised at how much I didn¿t know (mostly little things). It was what I would class as a comfort read. I don¿t think I would read it every year (but I don¿t tend to read books twice) but I will definitely be reading more Dickens.
tealover on LibraryThing More than 1 year ago
What could one possibly say, that hasn't already been told about this book? It's my 'all time favourite' christmas read! Countless times reread and never a second bored with it! It's an absolute 'must' for every fan of xmas!
drewandlori on LibraryThing More than 1 year ago
This has to be the single most beaten-to-death story of all time, but even after a million TV remakes, the book still holds up surprisingly well.
Anonymous More than 1 year ago
She wanted to leap but fear of hurting darkfur stopped her. "Stop it Scourge." She snarled. "Darkfur has done nothing."
Anonymous More than 1 year ago
She padded in and made a nest away from everyone else and slept.
Anonymous More than 1 year ago
Bark
Guest More than 1 year ago
This is a good adaptation of the book. This is an easy read for young adolescents.
Guest More than 1 year ago
I bought it for my younger brother who became an independent reader! and even though he struggled with some vocabs he learned a lot! I think it is well written for adolescents.
Anonymous More than 1 year ago
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Anonymous More than 1 year ago
I have at least 8 movie DVDs of "A Christmas Story", and they all emphasize, de-emphasize, or delete certain scenes. They are all quite faithful to the book however. The book is much smaller than I expected, and easily read in a evening or two.
Anonymous More than 1 year ago
The Book a Christmas Carol was a good book, but yes it is very confusing. Description and summary of main points The book was about a man named Scrooge who seems to not like anything and Christmas is one of them. When he was a boy he was engaged to a beautiful woman and she left him because he was to selfish. As he got older he began his own business and stuff. Evaluation I like it a lot and I suggest you to read it. Conclusion It teaches people a very good lesson Your final review I like the book and the movie is good too hopefully one day you'll read it and get a good lesson out of it like did.