ISBN-10:
0631232834
ISBN-13:
9780631232834
Pub. Date:
08/09/2004
Publisher:
Wiley
After Criticism: New Responses to Art and Performance / Edition 1

After Criticism: New Responses to Art and Performance / Edition 1

by Gavin Butt
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Overview

It has recently become apparent that criticism is in trouble. Either commodification is deemed to have killed it off, or it has become institutionally routine. This book explores contemporary approaches that have sought to renew criticism's energies in the wake of a theatrical turn in recent visual arts practice and the emergence of a performative arts writing over the past decade or so.

Issues addressed include the performing of art's histories; the consequences for criticism of embracing boredom, distraction, and other “queer” forms of (in)attention; and the importance of exploring writerly process in responding to aesthetic experience. Bringing together newly commissioned work from the fields of art history, performance studies, and visual culture with the writings of contemporary artists, After Criticism provides a set of experimental essays that demonstrate how the critical might live on as a vital and efficacious force within contemporary culture.

Product Details

ISBN-13: 9780631232834
Publisher: Wiley
Publication date: 08/09/2004
Series: New Interventions in Art History Series , #4
Pages: 232
Product dimensions: 6.61(w) x 9.41(h) x 0.78(d)

About the Author

Gavin Butt teaches in the Unit of Visual Cultures at Goldsmiths College, University of London. His research interests encompass performance and performativity in the visual arts; queer theory; and queer cultures and their histories. He is the author of a book on gossip and homosexuality entitled Between You and Me: Queer Disclosures in the American Art World 1948–1963 (2005).

Table of Contents

List of Illustrationsvii
Notes on Contributorsviii
Series Editor's Prefacexi
Introduction: The Paradoxes of Criticism1
Part IPerforming Art's Histories21
1Solo Solo Solo23
2Binding to Another's Wound: Of Weddings and Witness48
3This is I65
Part IIDistracted and Bored: The Critic Looks Elsewhere79
4The Trouble with Men, or, Sex, Boredom, and the Work of Vaginal Davis81
5Utopia's Seating Chart: Ray Johnson, Jill Johnston, and Queer Intermedia as System101
6Looking Away: Participations in Visual Culture117
Part IIICritical Response/Performative Process135
7Itinerant Improvisations: From "My Favorite Things" to an "agency of night"137
8The Experience of Art as a Living Through of Language156
9A Transparent Lecture176
Selected Bibliography207
Index212

What People are Saying About This

From the Publisher

"After Criticism is crucial to any discussion regarding the status of criticism and critical theory after post-structuralism and, equally importantly, is one of few texts that is innovative in its illumination of context, history, aesthetic judgement and, rare for an academic text, enjoyable to read." Art Monthly

"After Criticism is no doubt the most intriguing collection of performative writing published yet. Being refreshing, entertaining as well as inspiringly confusing, it is essential reading for anyone writing on art who does not only think of what to write, but also how to write it." Contemporary

"Though it seems contradictory to write words of praise for a book that deeply interrogates the marketability of praiseful language (in the guise of art criticism), Gavin Butt's collection deserves them. Framed by Butt's astute introduction, these performative essays pulse with vitality. Food for thought, this book makes us think, again, about art and its interpretations in a new way. Critical writing as a kind of performance – delicious." Amelia Jones, University of Manchester

"This anthology is an excellent overview of performative critical discourse edited and introduced by one of its leading proponents. All the contributions have an experimental or improvisational edge that preserves a sense of the critical encounter. The book is at the cutting edge of art theory and will be read with enthusiasm by a large number of people engaged with contemporary art practice and criticism." Margaret Iversen, University of Essex

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