At various times in a span of fifteen years, John McPhee made geological field surveys in the company of Eldridge Moores, a tectonicist at the University of California at Davis. The result of these trips is Assembling California, a cross-section in human and geologic time, from Donner Pass in the Sierra Nevada through the golden foothills of the Mother Lode and across the Great Central Valley to the wine country of the Coast Ranges, the rock of San Francisco, and the San Andreas family of faults. The two disparate time scales occasionally intersectin the gold disruptions of the nineteenth century no less than in the earthquakes of the twentiethand always with relevance to a newly understood geologic history in which half a dozen large and separate pieces of country are seen to have drifted in from far and near to coalesce as California. McPhee and Moores also journeyed to remote mountains of Arizona and to Cyprus and northern Greece, where rock of the deep-ocean floor has been transported into continental settings, as it has in California. Global in scope and a delight to read, Assembling California is a sweeping narrative of maps in motion, of evolving and dissolving lands.
About the Author
John McPhee was born in Princeton, New Jersey, and was educated at Princeton University and Cambridge University. His writing career began at Time magazine and led to his long association with The New Yorker, where he has been a staff writer since 1965. Also in 1965, he published his first book, A Sense of Where You Are, with Farrar, Straus and Giroux, and in the years since, he has written nearly 30 books, including Oranges (1967), Coming into the Country (1977), The Control of Nature (1989), The Founding Fish (2002), Uncommon Carriers (2007), and Silk Parachute (2011). Encounters with the Archdruid (1972) and The Curve of Binding Energy (1974) were nominated for National Book Awards in the category of science. McPhee received the Award in Literature from the Academy of Arts and Letters in 1977. In 1999, he was awarded the Pulitzer Prize for Annals of the Former World. He lives in Princeton, New Jersey.
Hometown:Princeton, New Jersey
Date of Birth:March 8, 1931
Place of Birth:Princeton, New Jersey
Education:A.B., Princeton University, 1953; graduate study at Cambridge University, 1953-54
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By John McPhee
Farrar, Straus and GirouxCopyright © 1993 John McPhee
All rights reserved.
You go down through the Ocean View district of San Francisco to the first freeway exit after Daly City, where you describe, in effect, a hairpin turn to head north past a McDonald's to a dead end in a local dump. It is called the Daly City Scavenger Company. You leave your car and walk north on a high contour some hundreds of yards through deep grasses until a path to your left takes you down a steep slope a quarter of a mile to the ocean. You double back along the water, south to Mussel Rock.
Mussel Rock is a horse. As any geologist will tell you, a horse is a displaced rock mass that has been caught between the walls of a fault. This one appeared to have got away. It seemed to have strained successfully to jump out of the continent. Or so I thought the first time I was there. It loomed in fog. Green seas slammed against it and turned white. It was not a small rock. It was like a three-story building, standing in the Pacific, with brown pelicans on the roof. You could walk out on a ledge and look up through the fog at the pelicans. When you looked around and faced inland, you saw that you were at the base of a fifty-foot cliff, its lithology shattered beyond identification. A huge crack split the cliff from top to bottom and ran on out through the ledge and under the waves. After a five-hundred-mile northwesterly drift through southern and central California, this was where the San Andreas Fault intersected the sea.
I went to Mussel Rock that foggy afternoon in 1978 with the geologist Kenneth Deffeyes. I have returned a number of times since, alone or in the company of others. With regard to the lithosphere, it's a good place to sit and watch the plates move. It is a moment in geography that does your thinking for you. The San Andreas Fault, of course, is not a single strand. It is something like a wire rope, as much as half a mile wide, each strand the signature of one or many earthquakes. Mussel Rock is near the outboard edge of the zone. You cannot really say that on one side of the big crack is the North American Plate and on the other side is the Pacific Plate, but it's tempting to do so. Almost automatically, you stand with one foot on each side and imagine your stride lengthening—your right foot, say, riding backward toward Mexico, your left foot in motion toward Alaska. There's some truth in such a picture, but the actual plate boundary is not so sharply defined. Not only is the San Andreas of varying width in its complexity of strands, it is merely the senior fault in a large family of more or less parallel faults in an over-all swath at least fifty miles wide. Some of the faults are to the west and under the ocean; more are inland. Whether the plate boundary is five miles wide or fifty miles wide or extends all the way to central Utah is a matter that geologists currently debate. Nonetheless, there is granite under the sea off Mussel Rock that is evidently from the southern Sierra Nevada, has travelled three hundred miles along the San Andreas system, and continues to move northwest. As evidence of the motion of the plates, that granite will do.
For an extremely large percentage of the history of the world, there was no California. That is, according to present theory. I don't mean to suggest that California was underwater and has since come up. I mean to say that of the varied terranes and physiographic provinces that we now call California nothing whatever was there. The continent ended far to the east, the continental shelf as well. Where California has come to be, there was only blue sea reaching down some miles to ocean-crustal rock, which was moving, as it does, into subduction zones to be consumed. Ocean floors with an aggregate area many times the size of the present Pacific were made at spreading centers, moved around the curve of the earth, and melted in trenches before there ever was so much as a kilogram of California. Then, a piece at a time—according to present theory—parts began to assemble. An island arc here, a piece of a continent there—a Japan at a time, a New Zealand, a Madagascar—came crunching in upon the continent and have thus far adhered. Baja is about to detach. A great deal more may go with it. Some parts of California arrived head-on, and others came sliding in on transform faults, in the manner of that Sierra granite west of the San Andreas. In 1906, the jump of the great earthquake—the throw, the offset, the maximum amount of local displacement as one plate moved with respect to the other—was something like twenty feet. The dynamics that have pieced together the whole of California have consisted of tens of thousands of earthquakes as great as that—tens of thousands of examples of what people like to singularize as "the big one"—and many millions of earthquakes of lesser magnitude. In 1914, Andrew Lawson, writing the San Francisco Folio of the Geologic Atlas of the United States, wistfully said, "Most of the faults are the expression of energies that have been long spent and are not in any sense a menace. It is, moreover, barely possible that stresses in the San Andreas fault zone have been completely and permanently relieved by the fault movement of 1906." Andrew Lawson—who named the San Andreas Fault—was a structural geologist of the first order, whose theoretical conclusions were as revered in his time as others' are at present. For the next six decades in California, a growing population tended to imagine that the stresses were indeed gone—that the greatest of historic earthquakes (in this part of the fault) had relieved the pressure and settled the risk forever. In the nineteen-sixties, though, when the work of several scientists from various parts of the world coalesced to form the theory of plate tectonics, it became apparent—at least to geologists—that those twenty feet of 1906 were a minuscule part of a shifting global geometry. The twentyodd lithospheric plates of which the rind of the earth consists are nearly all in continual motion; in these plate movements, earthquakes are the incremental steps. Fifty thousand major earthquakes will move something about a hundred miles. After there was nothing, earthquakes brought things from far parts of the world to fashion California.
Deffeyes and I had been working in Utah and Nevada, in the physiographic province of the Basin and Range. Now he was about to go east and home, and we wandered around San Francisco while waiting for his plane. Downtown, we walked by the Transamerica Building, with its wide base, its high sides narrowing to a point, and other buildings immensely tall and straight. Deffeyes said, "There are two earthquake-resistant structures—the pyramids and the redwoods. These guys are working both sides of the street." The skyscrapers were new, in 1978. In an earthquake, buildings of different height would have different sway periods, he noted. They would "creak and groan, skin to skin." The expansion joints in freeways attracted his eye. He said they might open up in an earthquake, causing roadways to fall. He called the freeways "disposable—Kleenexes good for one blow." He made these remarks in the shadowy space of Second Street and Stillman, under the elevated terminus of Interstate 80, the beginnings of the San Francisco Skyway, the two-level structure of the Embarcadero Freeway, and so many additional looping ramps and rights-of-way that Deffeyes referred to it all as the Spaghetti Bowl. He said it was resting on a bog that had once surrounded a tidal creek. The multiple roadways were held in the air by large steel Ts. Deffeyes said, "It's the engineer in a game against nature. In a great earthquake, the ground will turn to gray jello. Those Ts may uproot like tomato stakes. And that will seal everyone in town. Under the landfill, the preexisting mud in the old tidal channel will liquefy. You could wiggle your feet a bit and go up to your knees." In 1906, the shaking over the old tidal channel that is now under the freeways was second in intensity only to the San Andreas fault zone itself, seven miles away. "Los Angeles, someday, will be sealed in worse than this," he continued. "In the critical hours after a great earthquake, they will be cut off from help, food, water. Take one piece out of each freeway and they're through."
In a rented pickup, we had entered California the day before, climbing the staircase of fault blocks west of Reno that had led the Donner party to the crest of the mountains named for snow. This was among the first of series of journeys on and near Interstate 80 that I would be making in the company of geologists, for the purpose of describing not only the rock exposed in roadcuts—and the regional geologies into which the roadcuts would serve as windows—but also the geologists themselves. The result was meant to be a sort of cross-section of the United States at about the fortieth parallel, and a picture of the science. The writing would develop as four compositions, of which this is the fourth. The element controlling them—the subject that has shaped the over-all structure—has been plate tectonics. The scientific papers that effected the plate-tectonics revolution were published from 1959 to 1968. Much of what was written there was at first widely scorned. As I started out on my transcontinental journeys, in 1978, I wanted to see how the science was settling down with its new theory, and, as a continuing result of its revelations, what revisions would occur in the consensual biography of the earth. Plenty of other matters would be discussed, but that one was paramount. The developed structure has not been linear—not a straightforward trip from New York to San Francisco on the interstate. It began in New Jersey and then leaped to Nevada, because the tectonics in New Jersey two hundred million years ago are being recapitulated by the tectonics in Nevada today. While the progress was not linear in a geographic sense, thematically it was aimed at California. In California was the prow of the North American Plate—in these latitudes, the sliding boundary. California was also among the freshest acquisitions of the continent. So radical and contemporary were the regional tectonics that the highest and the lowest points in the contiguous United States were within eighty miles of each other in California. As nowhere else along the fortieth parallel in North America, this was where the new theory of plate tectonics was announcing its agenda.
Over the years, I would crisscross the country many times, revisiting people and places, yet the first morning with Deffeyes among the rocks of California retains a certain burnish, because it exemplified not only how abrupt the transition can be as you move from one physiographic province to another but also the jurisdictional differences in the world of the geologist. As we crossed the state line under a clear sky and ascended toward Truckee, we passed big masses of competent, blocky, beautiful rocks bright in their quartzes and feldspars and peppered with shining black mica. The ebullient Deffeyes said, "Come into the Sierra and commune with the granite."
A bend or two later, his mood extending even to the diamond-shaped warnings at the side of the road, he said, "Falling-rock signs are always good news to us."
Then a big pink-and-buff roadcut confused him. He said he thought it consisted of "young volcanics," but preferred to let it remain "mysterious for the moment." The moment stretched. Deffeyes is as eclectic as a geologist can become, a generalist of remarkable range, but his particular expertise—he wrote his dissertation in Nevada and has done much work there since—was fading in the distance behind him. Up the road was a metasediment in dark and narrow blocks going every which way, like jackstraws. Deffeyes got out of the pickup and put his nose on the outcrop, but he had an easier time identifying a bald eagle that watched him from an overhanging pine.
"You need a new geologist," he said to me.
We took a rock sample, washed our hands in melting snow, and ate a couple of sandwiches as we watched wet traffic with bright headlights come down from Donner Summit. Looking back to the cloudless Basin and Range and seeing what lay ahead for us, Deffeyes said, "Out of the rain shadow, into the rain."
After we got up into the high country ourselves, some additional metasediment left him colder than the rain. "The time has come to turn you over to Eldridge Moores," he said.
A few miles farther on, we came to a big, gravelly roadcut that looked like an ash fall, a mudflow, glacial till, and fresh oatmeal, imperfectly blended. "I don't know what this glop is," he said, in final capitulation. "You need a new geologist. You need a Californian."
Moores could be found on a one-acre farm in the Great Central Valley—in a tract surrounded on three sides by the vegetable-crop field labs of the University of California, Davis. Twenty years earlier, Davis had been an agricultural college, but it had since expanded in numerous directions to take its place beside Berkeley, attracting to the Geology Department, for example, such youthful figures of future reputation as the mantle petrologist Ian MacGregor and the paleobiologist Jere Lipps, not to mention the tectonicist Eldridge Moores.
At one time and another, over a span of fifteen years, Moores and I would not so much traverse California as go into it in both directions from the middle. We would hammer the outcrops of Interstate 80 from Nevada to San Francisco, reaching out to related rock even farther than Timbuctoo. Timbuctoo is in Yuba County. The better to understand California, I would follow him to analogous geological field areas in Macedonia and Cyprus—journeys much enhanced by his knowledge of modern Greek. He has read widely in Greek history as well as geologic history, and standing on the steps of the Parthenon he sounds like any other tour guide—recounting wars, explosions, orations, and stolen marbles—until he tells you where the hill itself arrived from, and when, and why the Greeks sited their temple on soluble rock that they knew to be riddled with caverns. Moores has been a counsellor through all my projects in geology, across which time our beards have turned gray. He and his wife, Judy, still live in their turn-of-the-century farmhouse, with its high ceilings, its old two-light windows, its pools of sun on cedar floors. Their children—who were five, eight, and eleven when I met them—are grown and gone. On each of two porches lie big chunks of serpentine—smooth as talc, mottled black and green. When you see rocks like that on a porch, a geologist is inside.
In the living room is a framed montage of nine covers from Geology, a magazine introduced in the nineteen-seventies by the Geological Society of America and raised during the editorship of Eldridge Moores (1981–88) to a level of world importance in the science. Moores is the sort of person who runs up flights of stairs circling elevator shafts, because elevators are so slow. He edited Geology while teaching full time and advancing his own widespread research. The montage was a gift to him from people at the G.S.A. It includes fumaroles in Iceland, dunes in southern Colorado, orange-hot lava on Kilauea, and a painting of a Triceratops being eaten alive by a Tyrannosaurus rex. In the heavens close above the struggling creatures is the Apollo Object—an asteroid, roughly six miles in diameter—that is believed to have collided with the earth and caused the extinction of the dinosaurs. In the editor's notes on the contents page, Moores referred to the painting as "the Last Supper." There were outraged complaints from geologists.
The centerpiece of the montage is a 1988 cover showing Moores on a coastal outcrop playing a cello. Moores grew up in Arizona's central highlands, in a community so remote and sparse that it was called a camp. A very great distance from pavement, it was far up the switchbacks of a mountain ridge and among the open mouths of small, hard-rock mines. At the age of thirteen, he learned to play the cello, and he practiced long in the afternoons. The miners, his father included, could not understand why he would want to do that. Moores has played with symphony orchestras in Davis and Sacramento. The coastal outcrop on the cover of Geology is the brecciated limestone of Petra tou Romiou, Cyprus. Moores in the field has long since overcome the most obvious drawback of a cello. He travels with an instrument handcrafted by Ernest Nussbaum in a workshop in Maryland. Essentially, it is just like any other cello but it has no belly. Neck, pegbox, fingerboard, bridge—everything from scroll to spike fits into a slim rectangular case wired to serve as an electronic belly. This is a Sherpa's cello, a Chomolungma cello, a base-camp viol. In Moores' living room is a grand piano. Still on a shelf behind it are the sheet-music boxes of his children, labelled "Brian Clarinet," "Brian Bassoon," "Kathryn Cello," "Geneva Piano," and "Geneva Violin," and three additional boxes labelled "Eldridge Cello," "Eldridge Cello and Piano," "Eldridge Cello Concertos and Trios."
Excerpted from Assembling California by John McPhee. Copyright © 1993 John McPhee. Excerpted by permission of Farrar, Straus and Giroux.
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Most Helpful Customer Reviews
I like the author's candid writing style, and the book includes a ton of information, but it isn't really organized. The story basically progresses from roadcuts along I-80 in the Sierras down to the coast range at San Francisco, with a side trip to Cypress and Macedonia. While the book progresses in a sort-of linear fashion, the way it tells the geologic history doesn't, so it's more of a read-through book and not really a great reference. Either way it's still the best book on California geologic history I've seen, and is very entertaining to read.
I liked this book the best of all of McPhee's geology works. His explanations were easy to understand and his last chapter on the Loma Prieta earthquake was worth the price of the book.
ONE OF MY FAVORITE AUTHORS