From the bestselling author of The Swallows of Kabul comes this timely and haunting novel that powerfully illuminates the devastating human costs of terrorism.Dr. Amin Jaafari is an Arab-Israeli surgeon at a hospital in Tel Aviv. As an admired and respected member of his community, he has carved a space for himself and his wife, Sihem, at the crossroads of two troubled societies. Jaafari’s world is abruptly shattered when Sihem is killed in a suicide bombing.As evidence mounts that Sihem could have been responsible for the catastrophic bombing, Jaafari begins a tortured search for answers. Faced with the ultimate betrayal, he must find a way to reconcile his cherished memories of his wife with the growing realization that she may have had another life, one that was entirely removed from the comfortable, modern existence that they shared.
|Product dimensions:||6.74(w) x 6.14(h) x 1.18(d)|
About the Author
YASMINA KHADRA is the pen name of the former Algerian army officer Mohammed Moulessehoul. He adopted his wife's name as a pseudonym to avoid military censorship. He is the author of more than 20 books, at least six of which have been published in English, among them The Swallows of Kabul and The Attack, both shortlisted for the IMPAC literary award. Khadra’s work has been published in 45 countries. He has twice been honored by the Académie française, winning both the Médaille de vermeil (2001) and Grand Prix de littérature (2012). His latest novel is The Angels Die (2016). He lives in France. The New York Times describes Khadra as, “a writer who can understand man wherever he is.”
Date of Birth:January 10, 1955
Place of Birth:Kenadsa, Sahara, Algeria
Education:Officer in the Algerian army
Read an Excerpt
After the operation, Ezra Benhaim, our hospital director, comes to see me in my office. He's an alert, lively gentleman, despite his sixty-odd years and his increasing corpulence. Around the hospital, he's known as "the Sergeant," because he's an outrageous despot with a sense of humor that always seems to show up a little late. But when the going gets tough, he's the first to roll up his sleeves and the last to leave the shop.
Before I became a naturalized Israeli citizen, back when I was a young surgeon moving heaven and earth to get licensed, he was there. Even though he was still just a modest chief of service at the time, he used the little influence his position afforded him to keep my detractors at bay. In those days, it was hard for a son of Bedouins to join the brotherhood of the highly educated elite without provoking a sort of reflexive disgust. The other medical school graduates in my class were wealthy young Jews who wore gold chain bracelets and parked their convertibles in the hospital lot. They looked down their noses at me and perceived each of my successes as a threat to their social standing. And so, whenever one of them pushed me too far, Ezra wouldn't even want to know who started first; he took my side as a matter of course.
He pushes the door open without knocking, comes in, and looks at me with his head tilted to one side and the hint of a smile on his lips. This is his way of communicating his satisfaction. Then, after I pivot my armchair to face him, he takes off his glasses, wipes them on the front of his lab coat, and says, "It looks like you had to go all the way to the next world to bring your patient back."
"Let's not exaggerate."
He puts his glasses back on his nose, flares his unattractive nostrils, nods his head; then, after a brief meditation, his face regains its austerity. "Are you coming to the club this evening?"
"Not possible. My wife's due home tonight."
"What about our return match?"
"Which one? You haven't won a single game against me."
"You're not fair, Amin. You always take advantage of my bad days and score lots of points. But today, when I feel great, you back out."
I lean far back in my chair so I can stare at him properly. "You know what it is, my poor old Ezra? You don't have as much punch as you used to, and I hate myself for taking advantage of you."
"Don't bury me quite yet. Sooner or later, I'm going to shut you up once and for all."
"You don't need a racket for that. A simple suspension would do the trick."
He promises to think about it, brings a finger to his temple in a casual salute, and goes back to badgering the nurses in the corridors.
Once I'm alone, I try to go back to where I was before Ezra's intrusion and remember that I was about to call my wife. I pick up the phone, dial our number, and hang up again at the end of the seventh ring. My watch reads 1:12 p.m. If Sihem took the nine o'clock bus, she should have arrived home some time ago.
"You worry too much!" cries Dr. Kim Yehuda, surprising me by bursting into my cubbyhole. Continuing without pause, she says, "I knocked before I came in. You were lost in space. . . ."
"I'm sorry, I didn't hear you."
She dismisses my apology with a haughty hand, observes my furrowing brow, and asks, "Were you calling your house?"
"I can hide nothing from you." "And, obviously, Sihem hasn't come home yet?"
Her insight irritates me, but I've learned to live with it. We've known each other since we were at the university together. We weren't in the same class--I was about three years ahead of her--but we hit it off right away. She was beautiful and spontaneous and far more open-minded than the other students, who had to bite their tongues a few times before they'd ask an Arab for a light, even if he was a brilliant student and a handsome lad to boot. Kim had an easy laugh and a generous heart. Our romance was brief and disconcertingly naïve. I suffered enormously when a young Russian god, freshly arrived from his Komsomol, came and stole her away from me. Good sport that I was, I didn't put up any fight. Later, I married Sihem, and then, without warning, very shortly after the Soviet empire fell apart, the Russian went back home; but we've remained excellent friends, Kim and I, and our close collaboration has forged a powerful bond between us.
"It's the end of the holiday today," she reminds me. "The roads are jammed. Have you tried to reach her at her grandmother's?"
"There's no telephone at the farm."
"Call her on her mobile phone."
"She forgot it at home again."
She spreads out her arms in resignation: "That's bad luck."
She raises one magnificent eyebrow and shakes a warning finger at me. "The tragedy of certain well-intentioned people," she declares, "is that they don't have the courage of their commitments, and they fail to follow their ideas to their logical conclusion."
"The time is right," I say, rising from my chair. "The operation was very stressful, and we need to regain our strength. . . ."
Grabbing her by the elbow, I push her into the corridor. "Walk on ahead, my lovely. I want to see all the wonders you're pulling behind you."
"Would you dare repeat that in front of Sihem?"
"Only imbeciles never change their minds."
Kim's laughter lights up the hospital corridor like a garland of bright flowers in a home for the dying.
* * *
In the canteen, Ilan Ros joins us just as we're finishing our lunch. He sets his overloaded tray on the table and places himself on my right so that he's facing Kim. His jowls are scarlet, and he's wearing a loose apron over his Pantagruelian belly. He begins by gobbling up three slices of cold meat in quick succession and then wipes his mouth on a paper napkin. "Are you still looking for a second house?" he asks me amid a lot of voracious smacking.
"That depends on where it is."
“I think I’ve come up with something for you. Not far from Ashkelon. A pretty little villa with just what you need to tune out completely.”
My wife and I have been looking for a small house on the seashore for more than a year. Sihem loves the sea. Every other weekend, my hospital duties permitting, we get into our car and head for the beach. We walk on the sand for a long time, and then we climb a dune and stare at the horizon until late in the night. Sunsets exercise a degree of fascination on Sihem that I've never been able to get to the bottom of.
"You think I can afford it?" I ask.
Ilan Ros utters a brief laugh, and his crimson neck shakes like gelatin. "Amin, you haven't put your hand in your pocket for so long that I figure you must have plenty socked away. Surely enough to make at least half of your dreams come true . . ."
Suddenly, a tremendous explosion shakes the walls of the canteen and sets the glasses tinkling. Everyone in the place looks at one another, puzzled, and then those close to the picture windows get up from their tables and peer out. Kim and I rush to the nearest window. Outside, the people at work in the hospital courtyard are standing still, with their faces turned toward the north. The facades of the buildings across the way prevent us from seeing farther.
"That's got to be a terrorist attack," someone says.
Kim and I run out into the corridor. A group of nurses is already coming up from the basement and racing toward the lobby. Judging from the force of the shock wave, I'd say the explosion couldn't have gone off very far away. A security guard switches on his transceiver to inquire about the situation. The person he's talking to doesn't know any more than he does. We storm the elevator, get out on the top floor, and hurry to the terrace overlooking the south wing of the building. A few curious people are already there, gazing out, with their hands shading their eyes. They're looking in the direction of a cloud of smoke rising about a dozen blocks from the hospital.
A security guard speaks into his radio: "It's coming from the direction of Hakirya," he says. "A bomb, maybe a suicide bomber. Or a booby-trapped vehicle. I have no information. All I can see is smoke coming from whatever the target was."
"We have to go back down," Kim tells me.
"You're right. We have to get ready to receive the first evacuees."
Ten minutes later, bits of information combine to evoke a veritable carnage. Some people say a bus was blown up; others say it was a restaurant. The hospital switchboard is practically smoking. We've got a red alert.
Ezra Benhaim orders the crisis-management team to stand by. Nurses and surgeons go to the emergency room, where stretchers and gurneys are arranged in a frenetic but orderly carousel. This isn't the first time that Tel Aviv's been shaken by a bomb, and after each experience our responders operate with increased efficiency. But an attack remains an attack. It wears you down. You manage it technically, not humanely. Turmoil and terror aren't compatible with sangfroid. When horror strikes, the heart is always its first target.
I reach the emergency room in my turn. Ezra's in command there, his face pallid, his mobile phone glued to his ear. With one hand, he tries to direct the preparations for surgical interventions.
"A suicide bomber blew himself up in a restaurant," he announces. "There are many dead and many more wounded. Evacuate wards three and four, and prepare to receive the first victims. The ambulances are on the way."
Kim, who's been in her office doing her own telephoning, catches up with me in ward five. This is where the most gravely wounded will be sent. Sometimes the operating room's too crowded, and surgery is performed on the spot. Three other surgeons and I check the various pieces of equipment. Nurses are busy around the operating tables, making nimble, precise movements.
Kim proceeds to turn on the machines. As she does so, she informs me that there are at least eleven people dead.
Sirens are wailing outside. The first ambulances invade the hospital courtyard. I leave Kim with the machines and rejoin Ezra in the lobby. The cries of the wounded echo through the wards. A nearly naked woman, as enormous as her fright, twists around on a stretcher. The stretcher-bearers carrying her are having a hard time calming her down. She passes in front of me, with her hair standing up and her eyes bulging. Immediately behind her, a young boy arrives, covered with blood but still breathing. His face and arms are black, as though he's just come up out of a coal mine. I take hold of his gurney and wheel him to one side to keep the passage free. A nurse comes to help me.
"His hand is gone!" she cries.
"This is no time to lose your nerve," I tell her. "Put a tourniquet on him and take him to the operating room immediately. There's not a minute to spare."
"Very well, Doctor."
"Are you sure you'll be all right?"
"Don't worry about me, Doctor. I'll manage."
In the course of fifteen minutes, the lobby of the emergency room is transformed into a battlefield. No fewer than a hundred wounded people are packed into this space, the majority of them lying on the floor. All the gurneys are loaded with broken bodies, many horribly riddled with splinters and shards, some suffering from severe burns in several places. The whole hospital echoes with wailing and screaming. From time to time, a single cry pierces the din, underlining the death of a victim. One of them dies in my hands without giving me time to examine him. Kim informs me that the operating room is now completely full and that we have to start channeling the most serious cases to ward five. A wounded man demands to be treated immediately. His back is flayed from one end to the other, and part of one bare shoulder blade is showing. When he sees that no one is coming to his aid, he grabs a nurse by the hair. It takes three strapping young men to make him let go. A little farther on, another injured man, his body covered with cuts, screams and thrashes about madly, lunging so hard that he falls off his stretcher, which is wedged between two gurneys. He lies on the floor and slashes with his fists at the empty air. The nurse who's trying to care for him looks overwhelmed. Her eyes light up when she notices me.
"Oh, Dr. Amin. Hurry, hurry. . . ."
Suddenly, the injured man stiffens; his groans, his convulsions, his flailing all cease at once, his body grows still, and his arms fall across his chest, like a puppet whose strings have just been cut. In a split second, the expression of pain on his flushed features changes to a look of dementia, a mixture of cold rage and disgust. When I bend over him, he glowers at me menacingly, his teeth bared in a ferocious grimace. He pushes me away with a fierce thrust of his hand and mutters, "I don't want any Arab touching me. I'd rather croak."
I seize his wrist and force his arm down to his side. "Hold him tight," I tell the nurse. "I'm going to examine him."
"Don't touch me," the injured man says, trying to rise. "I forbid you to lay a hand on me."
He spits at me, but he's breathless, and his saliva lands on his chin, viscid and shimmering. Furious tears start spilling over his eyelids. I remove his jacket. His stomach is a spongy mass of pulped flesh that contracts whenever he makes an effort. He's lost a great deal of blood, and his cries only serve to intensify his hemorrhaging.
"He has to be operated on right away."
I signal to a male nurse to help me put the injured man back on his stretcher. Then, pushing aside the gurneys blocking our path, I make for the operating room. The patient stares at me, his hate-filled eyes on the point of rolling back into his head. He tries to protest, but his contortions have worn him out. Prostrate and helpless, he turns his head away so he won't have to look at me and surrenders to the drowsiness he can no longer resist.
Excerpted from The Attack by Yasmina Khadra Copyright © 2006 by Yasmina Khadra. Excerpted by permission of Nan A. Talese, a division of Random House, Inc. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Reading Group Guide
“Engrossing. . . . Audaciously conceived, courageously important [and] urgently humane, The Attack is Khadra’s best and most ambitious novel yet.”
—Los Angeles Times
The introduction, discussion questions, suggestions for further reading, and author biography that follow are intended to enhance your group’s reading of Yasmina Khadra’s The Attack, the timely and haunting novel from the bestselling author of The Swallows of Kabul.
1. What was your reaction to the novel’s powerful opening scene? How did your perception of this scene shift as the narrator’s life later unfolded for you?
2. What were your initial perceptions of Amin and Sihem’s marriage? Whom did you trust during the interrogation in chapter four?
3. Why does Kim remain so supportive of Amin? In what way is her friendship different from Navid’s? Why are they more patient with him than most of their colleagues are?
4. Discuss the very concept of an attack, which forms the novel’s title. What is the nature of the attacks that take place in the book, including not only the terrorist explosions but also the beating Amin receives when he tries to return to home. What emotional and psychological attacks take place? What motivates the novel’s numerous attackers?
5. How were you affected by the structure of the novel, including the author’s use of present tense, the first-person narration, and the way the timeline unfolds? What makes fiction itself a useful form in examining horrific realities?
6. Revisit the passages that emphasize two of the novel’s elderly characters: Kim’s grandfather, Old Yehuda, who in chapter six recalls Hitler’s rise; and in chapter sixteen, Omr, Amin’s great-uncle, who recalls the destruction of family orchards to make way for an Israeli colony. What do Yehuda and Omr reveal about the history of violence, not only in the Middle East but throughout humanity?
7. At the end of chapter seven, Amin tells Kim he has no idea why he did not tell Navid about the letter. In your opinion, why did he keep the receipt of Sihem’s letter a secret?
8. In the novel’s latter chapters, Amin believes his wife was having a romantic affair with Adel. What parallels exist between her actual liaisons with him and the infidelities usually associated with adultery? Was Sihem seduced?
9. In chapter nine, Amin’s taxi driver lauds a militant imam and plays one of his recordings. What elements of persuasion did you detect in the imam’s diatribe? What similar tactics are used by religious and political leaders in other circumstances around the world?
10. In chapter eleven, the imam at the Grand Mosque tells Amin, “The margin between assimilation and disintegration is quite narrow. There’s not much room for maneuver” [p. 150]. Do you agree? Is assimilation a dangerous goal? Knowing what you do about Amin’s upbringing, is it surprising that he was an advocate for assimilation? Does assimilation require a secular society?
11. What is Amin’s goal in investigating the truth about Sihem himself, and confronting those who assisted her, rather than letting the Israeli authorities handle it? In the end, has he achieved his quest?
12. Adel and the militants Amin encounters emphasize their anger about being humiliated, saying emotional and cultural destruction are just as devastating as physical destruction. What do these observations imply about solutions for peace? What did you learn from the novel–not only about daily life in the Middle East but also about the prospects for peace?
13. The author is a retired army officer from Algeria, a former French colony. After he won a small French literary prize for a collection of short stories, his writing came to the attention of Algerian army officials and he was forced to submit future works to army censors. Thus, he created a female pseudonym to avoid censorship. He now lives in France and has since revealed his true name, Mohammed Moulessehoul. In what way did his life prepare him to write The Attack? Would your impressions of the novel have been different had you thought the author was female?
14. Compare The Attack to the author’s previous novel, The Swallows of Kabul, which is set in Afghanistan during the Taliban’s rule. In what ways do these novels complement each other? How do the dynamics of marriage play out in each of these books?
Most Helpful Customer Reviews
Given the state of the Middle East today, this is a timely and incredibly written story that I recommend without regard to your particular political beliefs. Beautiful and haunting in it's delivery, the author leaves you feeling very sad for both sides.
The protagonist is Amin a Muslim, an Israeli, a prominent well thought of surgeon. The attack is a suicide bomber in a restaurant. Amin's world is turned upside down when the authorities discover the bomber is his pampered beloved wife. Amin dives into the madness of the Palestinian terrorist, in order to prove the police wrong. This is a strong work, especially in light of today's world affairs. This is the first time I've understood the psychology of sucide bombers.
The Attack by Yas­mina Khadra is a fic­tional book set in Israel and the West Bank. Yas­mina Khadra is the nom de plume of Mohammed Moulesse­houl, a for­mer Alger­ian mil­i­tary officer. Dr. Amin Jafaari is a well-respected Arab who is an Israeli cit­i­zen and suc­cess­ful sur­geon in a Tel Aviv hos­pi­tal. One day a mas­sive sui­cide attack hap­pens close by which mobi­lizes the whole hos­pi­tal. After get­ting home from a very long shift, Dr. Jafaari is woken up ask­ing to come iden­tify his wife's body who has been killed in the attack. Dr. Jafaari dis­cov­ers that his wife was not vis­it­ing fam­ily as she said, but she was the sui­cide bomber. And thus the story begins. The Attack by Yas­mina Khadra is a won­der­ful, even handed and fas­ci­nat­ing book. Deal­ing with sen­si­tive sub­jects yet stay­ing away from a mil­i­tant point of view is a remark­able achieve­ment by itself, com­bine that with an excel­lent story and you've got your­self a winner. The story is told from the per­spec­tive of Dr. Jaa­fari, a nat­u­ral­ized Israeli Arab who works in an Israeli hos­pi­tal in Tel-Aviv and lives in an exclu­sive neigh­bor­hood in town. There are more than a mil­lion Arabs with full Israeli cit­i­zen­ship, who live between worlds and often find them­selves in unen­vi­able positions Even though Dr. Jaa­fari is sup­pose to the model of inte­gra­tion and peace, one day his life falls apart when it is dis­cov­ered that his wife exploded her­self in the mid­dle of a restau­rant, killing many includ­ing chil­dren who were there to cel­e­brate a birth­day party. The novel doesn't directly deal with the com­plex­ity of the issues in the Mid­dle East, but with the tur­moil of one man who con­sid­ers him­self a sec­u­lar­ist, a suc­cess­ful man mar­ried to his wife, liv­ing in paradise. As I men­tioned, this book is even handed, there is no right or wrong. Both Israelis and Pales­tini­ans are nei­ther demo­nized nor are they being heroic. They are sim­ply peo­ple liv­ing day to day try­ing to get through a tough time. Last time when we vis­ited Israel we had to take our son to the hos­pi­tal (my wife's worst night­mare com­ing true). A Druz doc­tor took care of our son in the best pos­si­ble way and we were grate­ful to him. It did not mat­ter to us, or to the rest of the peo­ple in the pedi­atric ward, the doctor's ori­gins as long as he knew his stuff. Our son, by the way, was fine - just a lot of gas like his old man and to his mother's dismay. The book starts out beau­ti­fully, but as the nar­ra­tor sinks into a state of con­fu­sion so does the nar­ra­tive. The reader isn't sure what day it is, which twist comes next or even if the plot is told in a lin­ear sense. Any­one who has ever been in a posi­tion where they are con­fused, bit­ter and depressed or on the brink of mad­ne
The setting is that of the evening news, on any given night. However, Mr. Khadra has found the gift of transporting you from the confort of your favorite evening news viewing couch, chair, etc... into a world that not even the protagonist in this book could have ever imagined, could be experienced. Your transported into the anguish and bewilderment that is felt by so many unfortunate souls on both sides of such an existance, from one whom would have never expected to be thrown into the mix in such a personal tragic manor. Truely heart pounding. Read and pass it on... Everyone will thank you. And surely pass it on...
As a past president of a Zionist organization this beautifully written book gave me new and needed sympathetic viewpoint of the genesis of the Palestinian position
This book was incredibly prosaic - and I say that not because it's written in prose :-p The author takes the premise of the novel, that an Arab doctor in Tel Aviv learns that a recent suicide bombing in the city was carried out by his wife, and does absolutely nothing interesting or unexpected with this premise. It plods along expectedly, full of anguish and sleep and inane fights with friends. The beginning pages did have promise; the xenophobia shown to Amin was revealing and could have been used to significantly reinforce the mindset of terrorism, which sometimes looks only incomprehensibly violent. But nothing gets carried through on or explored, which is unfortunate given the direction that the book could have taken.
Extremely disappointing book. Interesting premise but filled with cliches - both in terms of language and situation. I found the characters tedious, and I struggled to get through the text, so dripping in "meaning" and self-importance I could have choked. Sadly, it offers absolutely no insight whatsoever into the problems of the Middle East and from my reading, it's very anti-Israel.
The quandry of two worlds is presented here. Ammin is a successful naturalized citizen of Israel and dedicated surgeon. His world is literally blown apart when he discovers that his beloved wife has tied a bomb to herself and has detonated it in a popular Israeli restaurant where a group of children are celebrating a birthday party. His search for the answer as to how his wife could do such a thing, leads him down a dark and politically charged path.
A successful Arab doctor living in Tel Aviv can barely believe his wife is the city's most recent suicide bomber. His search to find out why she would give up her comfortable life is dangerous and emotional. The Attack provides a fascinating look at Arab-Israeli life and beliefs. The author of one of my favorite books, The Swallows of Kabul, Yasmina Khadra writes poignantly and unapologetically.
Very good. An Israeli doctor and his wife, both very westernized live the good life until the doctor finds out his wife was nothing he thought she was. As he treats vicitims from a suicide bombing at a restaurant that was celebrating with families and a childrens birthday party, he finds out the bomber was his wife. Never in his life would he have guessed she would become a suicide bomber. He has to find out the real woman he married and how he never knew her inner most thoughts.
Dr. Amin Jaafari is a successful Arab-Israeli doctor living in Tel Aviv. Despite the fact that the city sometimes suffers from violence between Muslims and Jews, his world is relatively peaceful. All this changes, however, when there is a suicide bombing at a restaurant in the city, and it is determined that his wife was the bomber. Jaafari struggles with the knowledge that he must have not really known the woman he loved, and goes on a journey to find some answers.Quote: ¿The curtness of his tone, together with his summary manner, unsettles me. I can¿t believe that a man thought to be so close to God can be so far from men, so insensitive to their distress.¿While the premise of this book is very interesting, it requires that the reader be concerned with the lives of the doctor and his wife, that we buy into his personal tragedy. However, the development of the book doesn¿t work that way- it¿s hard for the reader t understand Jaafari¿s shock that his wife is an extremist when she¿s been that way since the beginning of the book. It was a fascinating premise, but it didn¿t always hold my attention.
Khadra has chosen an interesting subject: the reaction of an Israeli-Palestinian doctor to learning that his wife was a suicide bomber. Unfortunately, the novel is fairly predictable, the characters stereotypical and not particularly believable, and the writing (or perhaps it's the translation)--well, it's rather overwritten. I wanted to like this book and wanted to feel that I was coming to some important point or understanding from the experience of reading it, but (like Amin) I guess I never really got it, aside from some rather florid and generic statements about nationalism and humiliation.
The concept of this book is excellent. From the moment I opened it I felt engaged. `The Attack' comes to mean many things throughout the book. Firstly though, it is the culmination of his wife being found in a local restaurant that has been bombed; her injuries typical of those of a suicide bomber. As a respected surgeon at a hospital in Tel Aviv (and an Israeli Arab) he is stopped frequently on his journeys home and now with this, his life is thrown completely into turmoil. It is revealed that he has played no part in her other life and that Sihem (Dr Amin Jaafari's wife) was not the woman he thought she was, or married. I initially thought the author was a woman but then realised from searching (it does mention it in the book but I hadn't seen it) is a pseudonym and that Mohammed Moulessehoul is a veteran Algerian army officer. Having written six novels under his real name in Algeria the army then imposed unacceptable conditions and his work became censored. Following a refusal to do this his wife suggested he wrote under her name and this he did until leaving the army. Throughout the book Amin Jaafari goes through many emotions and journeys. He picks up clues throughout via flashbacks or some new piece of evidence that comes to light from conversations. He journeys towards Bethlehem, stopping of at Jerusalem. He stays in Jerusalem at Kim's brother's house. Kim seems to be his only ally, a fellow Doctor at the same hospital with whom he has been friends with since university. She helps him and goes with him to Jerusalem, then letting his continue on to Bethlehem himself; where he is received as a very unwelcome visitor. He is confused that his wife is praised and revered for what she has done. Unable to come to terms with this he continues speaking with the people who may have been the last to see his wife, as well as those who she confided in. I felt sad at what Amin Jaafari had to go through to find the truth. It puts a fresh perspective on all the items that have been played through the news over the last however many years. Unless you are unable to empathise you will feel angry and saddened by what you read, as well as full of questions. How could he not know what his wife was doing? What more does he not know about his own family? Who knew what she was doing and why didn't they tell him? The ending of the novel bears a stark resemblance to the prologue and is full of emotion. Again, you should have questions - is this the best for him? He goes through so much in the last few chapters of the novel you wonder how he could carry on. It is a terrific insight into a culture I only ever see through the eyes of the media. The characters are all highly believable and I felt genuine emotion as I read this novel. I am a hard reader to please and often leave books unfinished; I could see myself reading this novel again in the future. I came across this novel through a book group and without it being chosen for a monthly read I doubt I would ever have known about it. There are a whole host of synonyms I could use to describe it. However, simply put, everything about this novel is brilliant. `The Attack' is really worth a read and then you can find your own reasons why the title has such significance throughout the novel.
"When horror strikes, the heart is always its first target," (pg 13). This is never more true for Dr. Amin Jaafari when he finally accepts that his wife, Sihem, is responsible for the latest suicide bombing. The Jaafari's are naturalized Israeli citizens who have left the ravages of Palestine for a comfortable life in Tel Aviv. Amin states, "I ddin't need to be a conscientious objector to distrust poliicies requiring armed struggle and sermons based on hatred. Gazing upon Jerusalem's sacred structures was enough to persuade me to oppose everything that might injure the enduring grandeur," (pg 142). Thus, Amin makes the deliberate decision to save lives rather than desroy them, fights prejudice on a daily basis, and becomes a renowned surgeon. <br/><br/>One day, while Amir is at work, the hospital becomes flooded with victims from a suicide bombing. The bomber walked into a restaurant where children were celebrating a friend's birthday and kills seventeen people. After frantically saving as many lives as possible Amir goes home exhausted only to receive a phone call to return to the hospital. Once there he is forced to identify the destroyed remains of his wife. Never suspecting his wife's involvement in terrorist activities, Amir is devastated. He treasured his wife and is haunted by the missed signs that she was descending into this world. Receiving a letter from his wife postmarked the day of the attack, Amin sets out to discover how this journey to destruction could have escaped him. There are a 1001 ways this premise could have gone wrong. While I'm not sure how I feel about some of Khadra's choices, there are some things I really appreciated. First, Khadra does an excellent job of providing insight into the daily lives of Israelis and Palestinians. Second, he beautifully captures the anguish jihadists leave family members with both in terms of grief over the loss of loved ones and the retribution enacted upon survivors. Finally, he shows that there is a choice in which path you follow. If you are new to Khadra's work, Yasmina Khadra is a nome de plume for Mohammed Moulessehoul, who began writing under his wife's name when the Algerian army demanded review of his work before publishing. Moulessehoul was an Algerian Army Officer.
Fascinating depiction of life in Israel of an Arab-turned-Jew to a wife who, though she had supposedly 'converted' to Judaism, was unable to renounce her Arab heritage, to the point of killing herself and others because of her perceived wrongs.
Rolled over amd jumped up.
Fascinating premise never fully developed