What is conceptual art? Is it really a kind of art in its own right? Is it clever – or too clever?
Of all the different art forms it is perhaps conceptual art which at once fascinates and infuriates the most. In this much-needed book Peter Goldie and Elisabeth Schellekens demystify conceptual art using the sharp tools of philosophy. They explain how conceptual art is driven by ideas rather than the manipulation of paint and physical materials; how it challenges the very basis of what we can know about art, as well as our received ideas of beauty; and why conceptual art requires us to rethink concepts fundamental to art and aesthetics, such as artistic interpretation and appreciation.
Including helpful illustrations of the work of celebrated conceptual artists from Marcel Duchamp, Joseph Kosuth and Piero Manzoni to Dan Perjovschi and Martin Creed, Who’s Afraid of Conceptual Art? is a superb starting point for anyone intrigued but perplexed by conceptual art - and by art in general. It will be particularly helpful to students of philosophy, art and visual studies seeking an introduction not only to conceptual art but fundamental topics in art and aesthetics.
|Publisher:||Taylor & Francis|
|Edition description:||New Edition|
|Product dimensions:||5.00(w) x 7.70(h) x 0.60(d)|
About the Author
Peter Goldie is Samuel Hall Chair in Philosophy at The University of Manchester; and has held posts at King’s College London and Magdalen College, Oxford. He is the author of The Emotions: A Philosophical Exploration (2000) and On Personality (2004).
Elisabeth Schellekens is Senior Lecturer in the Philosophy Department at Durham University. With Peter Goldie she was a joint researcher in an AHRC Innovation Award project on philosophy and conceptual art. She is editor (with Peter Goldie) of Philosophy and Conceptual Art (2007) and author of Aesthetics and Morality (2007).
Table of Contents
Introduction 1. The Challenge of Conceptual Art 2. The definition and the thing 3. Appreciating conceptual art 4. Aesthetics and beyond 5. What’s left once aesthetic appreciation has gone?