Bootleg, Vol. 1: Personal File

Bootleg, Vol. 1: Personal File

by Johnny Cash

CD

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Overview

This double-disc collection of unreleased material from Legacy is a rare thing. These tapes are not dead-dog files from Columbia's vaults. Instead, they contain songs Johnny Cash cut at his home studio in Hendersonville, Tennessee between July of 1973 and December of 1983. While closing down the House of Cash studio, museum, and store, John Carter Cash invited Steve Berkowitz and some colleagues to sort through the material and tapes housed in Cash's personal vault. They found some tidy white tape boxes marked "Personal File"; these are those tapes. Some of the songs here are traditional and spiritual songs Cash sang as a boy or heard from his companions. He tells stories to introduce many of the tunes, and these recollections become as important as the songs themselves. When he introduces "Far Away Places," he tells a story about one of his first talent contests (he got only two votes) and reveals that his selection of material cost him first place. You can hear the memories, painful and hopeful, float back through his delivery, spoken and sung. His reading of "Saginaw, Michigan" contains no peremptory tale, but the song says it all, and Cash brings the tune's tragic narrative to life in the listener's present. Likewise, three other Northern-themed numbers -- "When It's Springtime in Alaska," "Girl from Saskatoon" (co-written with Johnny Horton), and a devastating read of Robert Service's poem "Cremation of Sam McGee" -- add to this narrative. "It's All Over" is an original that comes from Cash's early days but was never recorded properly. There are also covers of tunes by the Louvin Brothers, John Prine, Doug Kershaw, Rodney Crowell, and Carlene Carter. Disc two is primarily made up of devotional songs; they range from well-known hymns -- "Lily of the Valley," "Farther Along," and "The Way Worn Traveler" -- to provocative tunes of unknown origin -- "If Jesus Ever Loved a Woman (It Was Mary Magdalene)." There are gorgeous original songs such as "No Earthly Good," "What Is Man?," and the track Greil Marcus bases his new liner notes on, "A Half a Mile a Day." Marcus does his usual riff, appropriating French critical theory to (mis)interpret the American experience with claims that "the songs sing the singer," and Cash "disappears into the songs"; but he's wrong. Both the original and historical songs become the stuff of myth and pathos (instead of quaint, dusted-off reflections from musical history) as we eavesdrop on Cash's voice; he delivers them from the ashes with his authority as an artist because he couldn't help but do that. Cash recorded the cover tunes, folk songs, and hymns because they meant something to him; he cut the songs he wrote in order to simply not forget them. Bootleg, Vol. 1: Personal File is a slice of musical autobiography cut in a setting of solitude for the sake of documenting it audio-journal style. For Cash fans, this is simply essential listening.

Product Details

Release Date: 02/22/2011
Label: Sony Legacy
UPC: 0886978301529
catalogNumber: 783015
Rank: 33032

Album Credits

Performance Credits

Johnny Cash   Primary Artist,Guitar,Vocals

Technical Credits

Johnny Cash   Composer
Rodney Crowell   Composer
John Prine   Composer
Charlie Bragg   Engineer
A.P. Carter   Composer
June Carter Cash   Composer
Gregg Geller   Producer
Ira Louvin   Composer
Charlie Louvin   Composer
C. Walker   Composer
Greil Marcus   Liner Notes
Randall Martin   Art Direction
Robert W. Service   Composer,Poetry
John Carter Cash   Executive Producer
Traditional   Composer
Lou Robin   Executive Producer
Charles William Fry   Composer
Jim Marshall   Cover Photo
Arthur Colahan   Composer
A. Kramer   Composer
J. Whitney   Composer
J. R. Shannon   Composer
T.P. Westendorf   Composer
D. Wayne   Composer
J. Thornton   Composer
B. Deaton   Composer
B. Anderson   Composer
J.P. Webster   Composer
F.K. Logan   Composer
C.D. Tillman   Composer
A.B. Everett   Composer
W.S. Hays   Composer
S.F. Bennett   Composer
M.E. Abey   Composer
M.B.C. Slade   Composer

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