Doctor Atomic (De Nederlandse Opera)

Doctor Atomic (De Nederlandse Opera)


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A production from the Het Musietheater in Amsterdam in June 2007 and directed for television by its librettist/director Peter Sellars, Doctor Atomic is John Adams' and Peter Sellars' fifth work in almost 20 years of artistic collaboration. Doctor Atomic features a superb cast, including Canadian baritone Gerald Finley, who created the role of J. Robert Oppenheimer and has made it his signature. The luminous soprano Jessica Rivera performs the role of Kitty Oppenheimer, a part originally conceived for the late mezzo-soprano Lorraine Hunt Lieberson. Anthony Tommasini called Ms. Rivera, "a radiant lyric soprano... in a vulnerable and intense portrayal." Other cast members include Eric Owens, Richard Paul Fink, James Maddalena, Thomas Glenn, Jay Hunter Morris, and Ellen Rabiner. Doctor Atomic received its world premiere at the San Francisco Opera on October 1, 2005.

Product Details

Release Date: 09/30/2008
UPC: 0809478009986
Original Release: 2007
Source: Bbc / Opus Arte
Region Code: 0
Sound: [DTS 5.1-Channel Surround Sound]
Time: 3:50:00
Sales rank: 81,754

Special Features

Illustrated synopsis; Cast gallery; Mini documentaries about the opera, the cast, the composer and the director; Interview with Peter Sellars, librettist & stage director

Cast & Crew

Scene Index

Disc #1 -- Doctor Atomic
1. Opening Credits [2:09]
2. Overture [2:54]
3. Scene 1 [27:26]
4. Scene 2 [16:14]
5. Scene 3 [31:58]
Disc #2 -- Doctor Atomic
1. Scene 1 [12:44]
2. Interlude: Rain Over the Sangre de Cristo [5:29]
3. Scene 2 [23:05]
4. Scene 3 Countdown Part I [17:16]
5. Scene 3 Chorus: 'At the Sight of This' [4:54]
6. Scene 4 Countdown Part II [23:57]

Customer Reviews

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Doctor Atomic (De Nederlandse Opera) 5 out of 5 based on 0 ratings. 1 reviews.
Sharky More than 1 year ago
I've held off writing about Dr. Atomic. I've now watched it for the third time and haven't changed my mind. It's a masterpiece. There's no denying some of the power of the score, but it is in the many more introspective moments that I find its most arresting beauty and power.

Gerald Finley - a singer I went nuts for as Papageno nearly 20 years ago, still has a marvelously appealing boyish handsomeness that suits this role to a tee. This could be the role of his career so far. The voice is in absolutely peak condition, one of the most beautiful baritones singing today (in my opinion) with a winning combination of brightness, mellowness, one of the most even-sounding vibratos of any singer today and a light rich quality that simply gleams. His body was made for the stage, moving with a relaxed athleticism, and knows how to strike a pose that hits you like a spotlight. In many regards, his intensity reminds me of another favorite singer of mine, Lorraine Hunt Lieberson in that his gestures - while highly theatrical, seem germane, perfectly suited to the character - as though they could not be performed any other way. This is star quality that elevates a performance to greatness.

The most powerful moment for me remains the ending of the first act, Oppenheimer's brilliant prayer/aria "Batter my heart, three person'd God." I cannot watch this without tears pouring from first to last. The music itself is remarkable, but combined with Finley's voice, and passionate interpretation, the heightened sense of movement by Peter Sellars and the staging itself, it becomes nearly unbearable in its intensity and beauty. With the bomb behind a curtain, like some templed sacred object behind a veil, Oppenheimer slowly approaches the veil, then turns and falls, and repeats the a series of gestures, each time with increasing intensity rising, falling, beating his heart with fist, hands to his head, then again approaches the veil. Following the final verse, he enters the veiled room, left in silhouhette, his hand raised towards the object itself. It is one of the most beautifully powerful stagings of an aria I've experienced.

Richard Paul Fink is another of my favorite singers and his beautiful bass sound, remarkable diction and fine dramatic instincts make his portrayal of Teller as important as the central role of Oppenheimer, particularly in the first half. Jessica Rivera is simply amazing as Kitty Oppenheimer, her first aria "Am I in your light," as the couple is in bed, her husband trying to study, offers a stunning contrast to all of the music before it. Oppenheim gives up his reading, and responds to her, climbing over and gently caressing her with stanza from Baudelaire. It is a quiet, intimate and beautiful moment.

Eric Ownes offers a richly detailed, entirely believable performance as General Groves, expressing his frustrations, concerns, detailing his weight issues (complete with calorie counts!) in that gorgeous, sonorous baritone of his.

The remainder of the cast, James Maddalena, Thomas Glenn, Jay Hunter Morris, and particularly the oddly moving performance of Ellen Rabiner as Pasqualita, are all up to the same level as the central roles.

I have some issues with the staging, and could have easily been happier if Lucinda Childs' incessant choreography had but cut - by at least half. Some of it is highly effective, such as the angular, ritualistic movement out in the desert, but much of it appeared as t