We prefer Rosalind Russell when she's making us laugh; judging by such films as Mourning Becomes Electra and The Velvet Touch, Russell preferred herself in heavy dramatics. In Sister Kenny, Rosalind Russell is all grim determination and pursed lips as Elizabeth Kenny, tireless battler of infantile paralysis. It is in the Australian outback that nurse Kenny first confronts the debilitating illness. Forsaking her private life (as well as any romantic entanglements), Kenny battles with the medical establishment in order to bring her radical theories towards conquering the disease to the public. Her ultimate triumph is solidified upon the formation of Minneapolis' Kenny Institute. Based on Elizabeth Kenny's autobiography, A solid piece of film craftsmanship, Sister Kenny was the sort of glossy prestige picture that always made Hollywood look good in the eyes of its staunchest critics; it was also the sort of picture that almost invariably lost a fortune at the box office (Sister Kenny took a bath to the tune of $660,000).