Meanwhile, the circus has come to town, but the Celtic dancers are taking their pagan act a little too seriously, the manager of the Olde Worlde Funfair has started talking to his vintage machines, and the new acrobat’s frequent absences are causing tension among the performers.
Out in the city there are other new arrivals – immortals searching for an ancient power – a primal evil which, if unopposed, could destroy the world!
File Under: Urban Fantasy [ Tensile Strength | Dual Identities | The Greatest Show | Bandits ]
|Product dimensions:||5.40(w) x 8.50(h) x 1.10(d)|
About the Author
When not writing Adam can be found drinking tea and obsessing over Dark Shadows, DC Comics, and 1960s Doctor Who. Adam is also very bad at épée but knows that Thibault cancels out Capa Ferro, unless the enemy has studied his Agrippa. Which he has.
What People are Saying About This
"Adam Christopher's debut novel is a noir, Philip K Dick-ish science fiction superhero story... a novel of surreal resonances, things that are like other things, plot turns that hearken to other plot turns. It's often fascinating, as captivating as a kaleidoscope... just feel it in all its weird glory."
-Cory Doctorow, author of Makers and Little Brother, on Empire State
"This is traditional heroism with a decidedly wicked and iconoclastic twist. Inventive, engaging, bewitching, and delightful, a feast as much for fans of the tropes as for the innocents amongst us."
-Greg Rucka, New York Times bestselling author of Alpha, The Punisher and Batman, on Seven Wonders
Most Helpful Customer Reviews
This book follows several different characters whose lives intersect. Ted just had his birthday and had some sort of accident at his party. He is having trouble with his sleep. Joel is on a mission to follow the light. Bob has retired to the beach and is a regular tourist attraction, because he likes to ballroom dance with tourists. Finally, there are the Hang Wire killer who is stalking the streets of the city and an acrobat from the circus who is chasing the killer. There is something sleeping under San Francisco, and what Ted, Joel, Bob, the killer, and the would-be hero do will either cause it to wake or stay under the streets. I finished this book on Friday, and I have been struggling with what to say in this review. Let's first review what I disliked the about the book. I found that there were two big problems with this book. (1) The world building rules were not defined. There are gods in this book from different cultures, but there is no explanation why these gods are in San Fransisco or if there are other gods roaming about the city or the world. I was also confused why the gods mentioned in this book are in this book. They didn't seem related to San Francisco or have another connection to this story. (2) There were a lot of POV characters in this book, and the chapters were short. I had a hard time caring about the characters and remembering who was who, because the chapters ended and moved to a new POV character before I got interested in them. About one-third of the way through the book, I started to get into the groove, but I was definitely feeling a bit frustrated by this point. Although I had some problems with the world building and revolving cast of characters, the writing kept me hooked. I didn't want to put the book down; I really wanted to see how everything came together. I was really surprised how content I was reading this book even with its problems. I also really enjoyed the feel and the atmosphere of the book. People have described Hang Wire as noir fiction. I typically expect characters to be a bit more cynical and the city to be a bit more rundown for a book to be considered noir fiction; however, the feel of the book was noir. There is something haunting about this book that harkens to noir even though it isn't (at least in my opinion). Overall, this book was okay. I wish it had been a bit longer, so the world building could have been more developed. Also, there was a bit of info dumping at the end of the book that was probably added, because the world building had been so vague up until that point. Christopher at that point had to just bluntly tell his audience what he was thinking, so the readers knew what was going on, if they were still confused. If you are a fan of American Gods by Neil Gaiman, The Night Circus by Erin Morgenstern, or the television show Carnivalé and are okay with limited world building, this may be a fun read for you. Unfortunately, for me, this wasn't a great fit. At the same time, I enjoyed the writing, and I am still excited to try some of Christopher's other book.