Italian Renaissance Art: Volume Two / Edition 2 available in Paperback
A new editionnow in two volumesof the largest and most comprehensive textbook about Italian Renaissance art
Now in its second edition, Italian Renaissance Art presents an updated and even more accessible history. The book has been split into two volumes: the first, covering the period 1300 to 1510; the second, 1490 to 1600. The volumes retain the same innovative decade-by-decade structure as the first edition, and a number of chapters have been revised by the authors to reflect the latest scholarship. The coverage of the Trecento has been expanded, and a new appendix section explains all the key Renaissance art-making techniques, with illustrations and step-by-steps for such processes as lost-wax casting. This book tells the story of art in the great cities of Rome, Florence, and Venice while profiling a range of other centers throughout Italyincluding in this edition art from Naples, Padua, and Palermo.
|Publisher:||Thames & Hudson|
|Edition description:||Second Edition|
|Product dimensions:||8.90(w) x 10.80(h) x 0.80(d)|
About the Author
Stephen J. Campbell (Henry and Elizabeth Wisenfeld Professor Johns Hopkins University) is a specialist in Italian art of the fifteenth and sixteenth centuries, focusing on the artistic culture of North Italian court centers, on the Ferrarese painter Cosmè Tura, and the Paduan Andrea Mantegna. His research explores the relationship between artistic theory and practice and literary models of imitation and interpretation, along with the consequences of this encounter for the reception of the work of art in broader social and religious spheres.
Michael W. Cole is Professor and Department Chair of Art History and Archaeology at Columbia University, where he writes and teaches on European art of the fifteenth through eighteenth centuries, with a specialization in early modern Italy. His recent books and articles have focused on sculpture and urbanism in Rome and Florence, on Renaissance magic and demonology, and on experimental etching. In 2009–2010, he was Robert Sterling Clark Visiting Professor at Williams College.