- He Was My Brother
- Leaves That Are Green
- Homeward Bound
- You Don't Know Where Your Interest Lies
- A Most Peculiar Man
- The 59th Street Bridge Song (Feelin' Groovy)
- The Dangling Conversation
- Richard Cory
- A Hazy Shade of Winter
- A Poem on the Underground Wall
- I Am a Rock
- The Sound of Silence
- For Emily, Whenever I May Find Her
- A Church Is Burning
- Wednesday Morning, 3 A.M.
This fascinating 19-song collection is more than just the only full concert document of Simon & Garfunkel at the peak of their career; it's also a chronicle of the time, a snapshot of an era when folk tradition was entering the pop-rock mainstream, as evidenced by the disc's deft juxtaposition of sociopolitical screeds, old-fashioned troubadour tales, and neo-Brill Building love songs. You'd be hard pressed to find a more naked recording -- which is certainly a compliment. The acoustics of Lincoln Center, one of America's most renowned musical performance spaces, allow the simple elements (nothing but the duo's crisp harmonies and Simon's ringing acoustic guitar) to resound with both power and grace. Deftly mixing their poppiest material (like the breezy "59th Street Bridge Song (Feelin' Groovy)") with the sort of offbeat interludes that made them a favorite among folk connoisseurs (the medieval-sounding "Benedictus" and the fleeting take on Davey Graham's jazzy instrumental "Anji"), Simon & Garfunkel were clearly at the top of their collective game on this evening. Effortlessly shifting from booming power ("I Am a Rock," the classic "John Cory") to incredible delicacy ("Leaves That Are Green," the Garfunkel-carried "For Emily, Wherever I May Find Her"), S&G exhibit both the mortar that held them together and the fissures that ultimately tore them apart.
Most Helpful Customer Reviews
Live from New York City, 1967 based on 0 ratings. 2 reviews.
The liner notes make a big deal about this being a record of Paul Simon and Art Garfunkel before they became superstars. It was released before Live 1969 came out, and I think it is much better than that set. The program includes some obscure songs from their early acoustic days and it is interesting to hear Simon play acoustic guitar fore the entire concert. He has never received much credit for his instrumental skills, but he certainly sounds better than the average folk picker on New York 1967. I still go with Concert in Central Park as the best live S&G. However, I'll rank NY 1967 a close second.
Picked up the new release ''Simon & Garfunkel Live from New York City''. This is indeed a fine album. Recorded live at The Philharmonic Hall on January 22, 1967 it is a brilliant salute to the end of the folk era and introduction to the new sound of the 60's, all this with just two guys singing in harmony with each other and a single acoustic (albeit very well played) guitar. There are nods to Black American history lessons and songs that raise questions about life and the meaning of living. Looking at once to the past and also to the future there are sound poems and poems that sound nice but probably mean nothing. They reveal slices of life and play with harmonies and the art of music. It is a well-packaged CD with 3 1/2 pages of very intelligent liner notes and 19 tracks of very cleanly recorded music. The fans are clearly appreciative in the polite pre 60's manner. After a particularly rambunctious applause for what probably was then or soon to be a worldwide radio hit Simon in a fake British accent playfully chides the audience to ''Shut up you've had your fun!'' The re release is a welcome reminder that even though we had our fun in the 60's some don't mind the risk of being told to shut up when we talk about it. The stuff stands up very well. A must listen to for anyone over 40 or persons interested in the genre.