In eighteenth-century France, the ability to “lose oneself” in a character or scene marked both great artists and ideal spectators. Yet it was also thought this same passionate enthusiasm, if taken to unreasonable extremes, could lead to sexual deviance, mental illness, and even death. Women and artists were seen as especially susceptible to these negative consequences of creative enthusiasm—and women artists doubly so.
Mary D. Sheriff uses these very different visions of artistic enthusiasm to explore the complex interrelationships among creativity, sexuality, the body, and the mind in eighteenth-century France. Drawing on evidence from the visual arts, literature, philosophy, and medicine, she scrutinizes the different forms of deviance ascribed to male and female artists. Sheriff also demonstrates that the perceived connections among sexuality, creativity, and disease also opened artistic opportunities for women—and creative women took full advantage of them.
|Publisher:||University of Chicago Press|
|Product dimensions:||7.00(w) x 9.90(h) x 0.90(d)|
About the Author
Mary D. Sheriff is the W.R. Kenan, Jr. Distinguished Professor of Art and department chair at the University of North Carolina at Chapel Hill. She is the author of The Exceptional Woman: Elisabeth Vigée-Lebrunand theCultural Politics of Art and Fragonard: Art and Eroticism, both published by the University of Chicago Press.
Table of Contents
List of Illustrations
CHAPTER 1 Enthusiasm: Reason's Masterpiece
CHAPTER 2 The Artist and the Woman
Part 1: Just Like a Woman?
Part 2: Possession and Emulation
CHAPTER 3 Deviant Spectators: Ignorant Girls and Women Who Know Too Much
CHAPTER 4 Pygmalion's Enthusiasm and the Fires of Nymphomania, or The Psychology of Art and Desire
CHAPTER 5 The Model Pygmalion and the Artist Galatea
Part 1: A Model for the Artist
Part 2: Playing Galatea
CHAPTER 6 Inspired by Heloise
Conclusion: Closing the Circle, Opening the End