Nordic Exposures: Scandinavian Identities in Classical Hollywood Cinema

Nordic Exposures: Scandinavian Identities in Classical Hollywood Cinema

by Arne Lunde

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Overview


Nordic Exposures explores how Scandinavian whiteness and ethnicity functioned in classical Hollywood cinema between and during the two world wars. Scandinavian identities could seem mutable and constructed at moments, while at other times they were deployed as representatives of an essential, biological, and natural category. As Northern European Protestants, Scandinavian immigrants and émigrés assimilated into the mainstream rights and benefits of white American identity with comparatively few barriers or obstacles. Yet Arne Lunde demonstrates that far from simply manifesting a normative unmarked whiteness, Scandinavianness in immigrant America and in Hollywood cinema of the twentieth century could be hyperwhite, provisionally off-white, or not even white at all.

Lunde investigates key silent films, such as Technicolor's The Viking (1928), Victor Sjöström's He Who Gets Slapped (1924), and Mauritz Stiller's Hotel Imperial (1927). The crises of Scandinavian foreign voice and the talkie revolution are explored in Greta Garbo's first sound film, Anna Christie (1930). The author also examines Warner Oland's long career of Asian racial masquerade (most famously as Chinese detective Charlie Chan), as well as Hollywood's and Third Reich Cinema's war over assimilating the Nordic female star in the personae of Garbo, Sonja Henie, Ingrid Bergman, Kristina Söderbaum, and Zarah Leander.

Arne Lunde is assistant professor of Scandinavian studies at UCLA.

Product Details

ISBN-13: 9780295990453
Publisher: University of Washington Press
Publication date: 10/14/2010
Series: New Directions in Scandinavian Studies Series
Pages: 224
Product dimensions: 6.00(w) x 8.90(h) x 0.80(d)
Age Range: 18 Years

About the Author

Arne Lunde is assistant professor of Scandinavian studies at UCLA.

Table of Contents

Acknowledgments
Introduction
1. Racializing Vinland: The Nordic Conquest of Whiteness in Technicolor’s “The Viking”
2. Scandinavian/American Whiteface: Ethnic Whiteness and Assimilation in Victor Sjostrom’s “He Who Gets Slapped”
3. Hotel Imperial: The Border Crossings of Mauritz Stiller
4. Garbo Talks: Scandinavians, the Talkie Revolution, and the Crisis of Foreign Voice
5. Charlie Chan is Swedish: The Asian Racial Masquerades and Nordic Otherness of Warner Oland
6. Two-Faced Women: Hollywood’s and Third Reich Cinema’s War for the Nordic Female Star
Conclusion

Notes
Bibliography
Index

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