Reengaging the ideas of alternate lives, worlds, and worldviews that pulsed through his remarkable Little, Big, John Crowley’s Ægypt series is a landmark in contemporary fiction. The series helped earn Crowley the American Academy of Arts and Letters Award for Literature, and Harold Bloom installed the first two books in the series in his 1993 Western canon. Now, following the Spring 2007 hardcover release of the final book in the series (Endless Things), Overlook is bringing the entire tetralogy back into print and, for the first time, presenting it as a real series. In The Solitudes, the opening of the series, we are introduced to Pierce Moffett, an unorthodox historian and an expert in ancient astrology, myths, and superstition. The land that Moffett studies is not the real, geographical Egypt but Ægypt, a country of the imagination. When Moffett discovers the historical novels of local writer Fellowes Kraft, his course is charted. Kraft s books interweave stories of Italian heretic Giordano Bruno, young Will Shakespeare, and Elizabethan occultist John Dee stories that begin to mingle with the narrative of Moffett’s real and dream life in 1970s America. As Moffett’s journey in and out of his comfortable reality continues, what becomes clear is revelatory: there is more than one history of the world.
About the Author
John Crowley was born in the appropriately liminal town of Presque Isle, Maine, in 1942, his father then an officer in the US Army Air Corps. He grew up in Vermont, northeastern Kentucky and (for the longest stretch) Indiana, where he went to high school and college. He moved to New York City after college to make movies, and did find work in documentary films, an occupation he still pursues. He published his first novel (The Deep) in 1975, and his 14th volume of fiction (Lord Byron's Novel: The Evening Land) in 2005. Since 1993 he has taught creative writing at Yale University. In 1992 he received the Award in Literature from the American Academy and Institute of Arts and Letters. He finds it more gratifying that almost all his work is still in print.
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