A 2018 Booklist Editors' Choice Pick One of Paste Magazine’s “12 Best Novels of 2018” “An urgent and beautifully written literary thriller about a man on the run that explores themes like the pain of atonement and the necessity of reconciliation, being published at a time when understanding across cultural and political divides seems wider than ever."—Salon.com “In sly and subtle ways, House skillfully beckons readers to dig deep into their own hearts and minds.” —Atlanta Journal-Constitution “House, evoking writers such as Rick Bass and Wendell Berry, serves up earnest, plainspoken characters nestled into lavishly drawn natural settings. He paints, too, an equally if less violently vivid portrait of Key West… He is that rare stylist on whose descriptions— incantations, really—one wishes to linger.” —Garden & Gun “A master storyteller, Silas House shows a keen understanding of the modern South wrestling with change.” —Minneapolis Star-Tribune “Given all the stories we have of the South in print, this one is, in a quiet way, revolutionary.” —Asheville Citizen-Times “Southernmost engages my most deeply hidden fears and hopes. Silas House has all the gifts of a passionate storyteller, and to this book he adds the heartfelt convictions of a man willing to voice what we so seldom see in print—the ways in which with all good intentions we can mess up and go wrong, and only later try to sort out how we can win our own redemption. I love this book, and for it, I love Silas House.”—Dorothy Allison, author of Bastard Out of Carolina “This beautifully crafted novel brims with a spirit of hopeful humanity as one man’s effort to make himself a better person casts ripples in the world around him. “—Charles Frazier, author of Varina "Southernmost offers no easy conclusions about forgiveness, religion or moral courage. Rather, this novel weighs the high costs of confronting the way our beliefs evolve in response to our lives, as well as the costs of denying that evolution. But House also succeeds in telling a satisfying story—one that resonates beyond the issues of the day, toward something deeper and larger.”—Knoxville News-Sentinel “Though it never turns a blind eye to the cruelties of which we’re capable, Southernmost is nonetheless assured in its belief that we can learn from, grow with, and find sustenance in each other. I devoured it like a thriller, standing in a pool in New Orleans one weekend this summer, crying all the while.”—Paste “An evangelical preacher learns ‘judge not” is easier said than done . . . a reflection on the ways in which one man struggles to see beyond his own delusions. The strength is Southernmost lies in its exploration of the messiness of life.” —The News & Observer (Raleigh, NC) “Lyrical and thoughtful . . . House builds suspense slowly and carefully, favoring complexity and ambiguity over a simple resolution.”—Columbus Dispatch "In Silas House’s moving new novel, a pastor wrestles with a crisis not just of faith, but of all the apparent certainties of his life: a crisis of marriage, of community, of fatherhood. This is a novel of painful, finally revelatory awakening, of fierce love and necessary disaster, of the bravery required to escape the prison of our days, to make a better and more worthy life.”—Garth Greenwell, author of What Belongs to You "Silas House's characters are as real to me as my own family. Southernmost is a novel for our time, a courageous and necessary book."—Jennifer Haigh, author of Heat and Light "This contemporary spiritual journey is also a love story and a classic road novel—a chase—filled with unrelenting suspense all the way. I have to say honestly that toward the end, you literally cannot put it down (well, you can’t put it down at the beginning, either!) as Southernmost moves from the flood-ravaged mountains of Tennessee down the eastern seaboard to the exotic locale of southern Florida. Perhaps because the cast of major characters is small, the degree of character development in this novel is extraordinary, from doubt-torn Asher, his rigid wife and loving granny Zelda back home in Kentucky; to Key West innkeeper Bell, an enormous woman in a muu-muu, a great cook and piano player extraordinaire with her own secrets; to her mysteriously sad and beautiful helper Evona who tends the jungly trees, plants, and flowers; to the most interesting of all, 9-year-old Justin who turns out to be a very unusual child, an old soul and mystic himself. With its themes of acceptance and equality, Southernmost holds a special meaning for America right now, with relevance even beyond its memorable story."—Lee Smith, author of Dimestore “Southernmost is an emotional tsunami. The classic themes of great literature written about family life are upended here in a modern twist as a father and son flee one life in search of another; as estranged brothers separated by time and their judgement of one another seek redemption and through the women in their lives, antagonists in the struggle who become grace notes on the road to redemption. This is a story of faith lost and love found, and what we must throw overboard on the journey in order to keep moving. A treasure." —Adriana Trigiani, author of Kiss Carlo “Bracing, honest, and luminous, Southernmost is a beautiful portrait of a father’s love, a faithful man’s search for new meaning, and Key West itself, where gaudy, touristy splendor hides the city’s truest soul.”—Seattle Book Review “Nobody writes the varied landscapes—physical, emotional, and cultural—of the American South quite like [House] does . . . a stirring, haunting tale of faith and family at a crossroads, woven through with his sumptuous descriptions and poetic sentences that demand to be lingered over and reread.”—Jeff Zentner, author of The Serpent King “Southernmost is a well-crafted work that is both emotionally and philosophically resonant. Using detailed imagery and rich dialogue, House allows readers to witness how the transformation of one’s moral foundations, no matter how noble, can disrupt a person’s sense of community and security. It is also a story of freeing the self from the captivity of our various societal structures. House’s depiction of the contemporary South is vivid, accessible and incredibly enchanting, even during the book’s darkest moments. Southernmost is a remarkable meditation on faith, morality, loss and love—a transcendent work that has the power to entertain, educate and heal at the same time.”—BookPage “His storytelling is rich, but also spare, with descriptive passages that engage all five senses . . . And his characters . . . are so complicated and real that it’s a shame to have to put the book down. Most of all, Southermost is a reminder that life is hard, and it is beautiful.”—Booklist (starred review) “[A] suspenseful narrative about a father and son navigating personal and spiritual upheaval . . . [that] will leave readers floored. House’s fine moral drama pleasingly mixes spiritual reflection and a story of personal healing.”—Publishers Weekly “A road novel that mixes warmth, empathy, tragedy, and hope. A brave tale of human generosity and the power and peace that come from heeding the courage of one's convictions.”—Kirkus Reviews “In Southernmost, Silas House meditates on love and reinterprets it. It is highly commendable and brave on the part of House to show the limits of our faith and infinite ways to love. Written in beautiful prose, he has created powerful characters. Southernmost is full of love and human warmth.”—The Washington Book Review “A journey of self-discovery, Southernmost dives into the familiar, troubled waters of toxic religion and masculinity to rescue a story of love between men—fathers, sons, brothers, and lovers. House deftly shows there’s no place insulated from a necessary confrontation with the past. Plumbing the depths of love and judgment, this novel is surprising in the places it’ll take you. It’s an unflinching yet generous portrait of rural America that’s honest, refreshing, and complex.”—Foreword Reviews (starred) "[House] writes much like fellow Kentuckian Robert Penn Warren, in lyric prose that seems on the verge of poetry. Southernmost is a novel with a heart, but it also makes readers think."—Wilmington Star News “The perfect book for our times.”–Coastal Illustrated
A road novel that mixes warmth, empathy, tragedy, and hope.Southern novelist House's (Eli the Good, 2009, etc.) new book is a paean to the wisdom of the heart and the remarkable ability of humans to listen to that wisdom despite a lifetime of believing (or preaching) intolerance. The novel opens in the wake of a catastrophic flood that all but destroys a small Tennessee town, as seen through the eyes of Asher Sharp, a Pentecostal preacher. Asher and his 8-year-old son, Justin, save a neighbor from his house as it literally floats down the river; they are aided by two gay men who have recently moved to the area and who lost their home in the flood as well. Asher is moved by the couple's selflessness and offers them shelter in his own house, but his archreligious wife cannot abide it. The event shakes Asher sufficiently enough to make him question the foundations of his faith and everything he stands for, and as he begins to preach the gospel of tolerance and open-mindedness, he loses the respect of his congregation and the support of his wife, who attempts to wrestle full custody of Justin from him. At the end of his rope, Asher hops in his Jeep and makes a late-night run for Key West—with Justin in tow. There, he hopes to find and make amends with his estranged brother, Luke, whom Asher hasn't spoken to since he came out as gay 10 years ago. All of this unfolds in a third-person voice redolent of the rich dialect native to the characters in the story; House has an unsurpassed ear for dialogue, and his prose is spare, fluid, and naturalistic throughout. After such a dramatic beginning, the story slows a bit as Asher and Justin arrive in Key West and get settled into a clandestine existence, but the propulsive pace picks up soon after, as the novel speeds toward its conclusion.A brave tale of human generosity and the power and peace that come from heeding the courage of one's convictions.
The metaphor of a flood often signifies the cleansing of old ways, thus allowing for new paths to open. In this new work from House (A Parchment of Leaves), set in a rural Tennessee valley, brothers Luke and Asher are estranged after Luke comes out as gay and, faced with condemnation, leaves home. Some years later the Cumberland River floods and the community is decimated. In the aftermath, Asher, a preacher, offers housing to a gay couple, for he now sees that all people are children of God. For this, he is rejected by his family and his church. He flees, along with his son, to find and to reconcile with Luke. They journey to Key West, where, with help from some folks (possibly angels in disguise), Luke and Asher forge a new relationship. This dialog-driven portrait of a family in pain is lightened by the presence of a dog, as well as descriptions of the sensory wonders of the United States' southernmost point: the scents, the sounds, and the changing, enchanting colors of the skies over Key West. VERDICT House's tale will strike a chord with those who have taken their own arduous path to acceptance, just as it may bring enlightenment to those who are trying to understand the experience of others.—Susanne Wells, Indianapolis P.L.