This abridged and revised edition of the author's monumental The Athenian Acropolis: History, Mythology and Archaeology from the Neolithic Era to the Present (Cambridge, 1998) focuses specifically on the development of the Acropolis in the fifth century BC and the building program initiated by Pericles. Incorporating the latest discoveries and research on individual monuments of the Acropolis, this edition is illustrated with 145 halftones as well as a CD-ROM including 180 color images of the monuments of the Acropolis. Previous Edition Hb (1998): 0-521-41786-4 Previous Edition Pb (2000): 0-521-42834-3
|Publisher:||Cambridge University Press|
|Edition description:||Abridged edition|
|Product dimensions:||7.01(w) x 10.04(h) x 0.87(d)|
About the Author
Jeffrey Hurwit is one of the leading scholars of ancient Greek art. A professor of art and archaeology at the University of Oregon, he is the author of numerous articles on aspects of Greek art and archaeology, and the author of The Art and Culture of Early Greece. A Guggenheim fellow, he was appointed in 2001 to the prestigious Martha S. Joukowsky Lectureship for the Archaeological Institute of America and in 2003 became the inaugural Dorothy Burr Thompson Memorial Lecturer at the University of British Columbia.
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Cambridge University Press
0521820405 - The Acropolis in the Age of Periclesm - by Jeffrey M. Hurwit
THE ROCK AND THE GODDESS
The Acropolis (Fig. 1; CD 001-003) is not the tallest hill in Athens - Mt. Lykabettos, not quite 2 kilometers to the northeast, is nearly twice as high - but it had the right combination of accessibility, usable summit, natural defenses, and water to make it the obvious choice for ancient Athens's "high city" or "city on the hill" (for that is what akropolis means). Almost every Greek city-state (or polis) had one, but no other acropolis was as successful as the Athenian: a massive urban focus that was always within view and that at various times throughout its virtually uninterrupted 6,000-year-long cultural history served as dwelling place, fortress, sanctuary, and symbol - often all at once.
The Acropolis is about 270 meters (885 feet) long at its longest and about 156 meters (512 feet) wide at its widest, but it is rugged and irregularly shaped, and the builders of its later, faceted walls merely regularized its essentially polygonal form (Fig. 2). They also created its flat-topped appearance: the rock actually slopes markedly from a ridge at its center down to the south (Fig. 3b), and only a long and complex series of retaining walls and artificial terraces on that side, together with a huge stone platform originally built to support a Parthenon planned decades before Pericles's great building (Fig. 4), extended the natural summit in that direction. Originally, then, the Acropolis was most sheer on the north and the east, and these sides especially are marked by virtually perpendicular cliffs about 30 meters (100 feet) high: the fortification walls built by men
1. View of Acropolis from southwest; Mt. Lykabettos is seen in the distance, to the right of the Parthenon. Photo: author.
almost seem to emerge from them, as if the natural form had somehow transformed itself into architecture. But even the south side of the rock is marked by great rocky bulges and escarpments (Fig. 1; CD 001-002), and the only easy ascent was (and is) on the west side (Fig. 5), where the
2. Plan of the Acropolis by I. Gelbrich (after Travlos 1971, Fig. 91, and Korres 1994b, 43), with revisions by author.
|1 Propylaia||17 Klepsydra Fountain|
|2 Sanctuary of Athena Nike||18 Shrine of Aphrodite and Eros|
|3 Monument of Eumenes II (later, of Agrippa)||19 Cave of Aglauros|
|4 Northwest Building||20 Odeion of Pericles|
|5 Sanctuary of Artemis Brauronia||21 Theater of Dionysos|
|6 Chalkotheke||22 Temple of Dionysos|
|7 Bronze Athena||23 Monument of Thrasyllos|
|8 Building III (House of the Arrhephoroi)||24 Monument of Nikias|
|9 Erechtheion||25 Asklepieion|
|10 Pandroseion||26 Ionic Stoa|
|11 Opisthodomos?||27 Stoa of Eumenes II|
|12 Altar of Athena||28 Boundary of the Spring|
|13 Parthenon||29 Temples of Isis and Themis|
|14 Sanctuary of Zeus Polieus||30 Odeion of Herodes Atticus|
|15 Temple of Roma and Augustus||31 Santuary of Aphrodite Pandemos|
|16 Building IV (Heroon of Pandion?)||32 Beulè Gate|
3. a. Section through the hills of Athens (after Judeich 1931, Fig. 7). b. Section through Acropolis (after Higgins and Higgins 1996, Fig. 3.4). Drawings by I. Gelbrich.
Acropolis is joined by saddles to lower, smaller hills nearby (above all, the Areopagos and the Pnyx, Fig. 6; CD 014) that would themselves play significant roles in the political history and civic life of Athens.
The Acropolis itself is a complex, soft mass of schist, sandstone, marl, and conglomerate capped by a thick layer of hard, highly fractured limestone formed in the late Cretaceous period, around the time the dinosaurs died off (Fig. 7; CD 010-011). The stone is fundamentally bluish to light gray in color, but it is also frequently tinged pink, and irregular streaks of almost blood-red marl or calcite course through it (CD 012-013). The brecciated, veined character of the stone is especially clear in those exposed portions of the rock that, over the centuries, have been heavily polished by feet. In places, the stone is nearly crystalline and its character thus approaches that of marble (because marble is simply limestone that has undergone a lot of high pressure and heated metamorphosis, the line between them is sometimes hard to draw). At all events, this same "Acropolis limestone" caps the other outcrops and hills of Athens (Fig. 3a; CD 014). Eons ago, they were all part of the same continuous physical feature, bumps on a long mountain ridge that was eventually broken down by such forces as earthquake and erosion. In other words, the Acropolis is basically an ancient mountaintop, a remnant of a once much greater limestone formation that, like the other hills of Athens, came to be partly buried by the levelling sediments that created the Athenian plain.
4. Foundations of Periclean Parthenon, originally built for Older Parthenon, 489-480. Courtesy DAI-Athens (Neg. Akr. 112).
5. View of Acropolis from west. Photo: author.
6. Map of Athens, by I. Gelbrich.
7. View of Acropolis limestone, south slope. Photo: author.
The rock is characterized on all sides by hollows and projections, by deep folds and fissures, and by caves large and small. A series of caves (once sacred to Pan, Zeus, and Apollo) marks its northwest shoulder (Fig. 8; CD 004). A high, deep cave gouges the middle of the north side (CD 005). A huge, rounded grotto - the Cave of Aglauros, as it is known - is the principal feature of the east (Fig. 9; CD 008-009). On the south, ancient architects, having shaved smooth the bulging face of the limestone, collaborated with the caves nature provided to create such structures as the Monument of Thrasyllos, built to commemorate the victor of a choral competition in the year 320/19 (Fig. 10). The effects of natural erosion are everywhere palpable, and the action of earthquakes, taken together with the seepage of water channeled through widening fractures in the limestone - in places the Acropolis has split or has been in danger of
8. Northwest slope of Acropolis. The caves marking the slope were sacred to Apollo Pythios/Hypoakraios (Under the Long Rocks), Zeus Olympios, and Pan. Photo: author.
9. Grotto on east slope (Cave of Aglauros). Photo: author.
10. Monument of Thrasyllos (320/19), above Theater of Dionysos. Photo: author.
splitting apart - have at various times sent great pieces of the rock to the ground below. An inscription marking the extent of the peripatos, the ancient roadway that encircles the Acropolis (Fig. 2), is carved on such a fallen boulder, for example (Fig. 11), and in the first century AD another large chunk smashed into the center of the paved court of one of Classical Athens's most splendid fountainhouses, the Klepsydra, on the northwest slope (Fig. 2; no. 17). The interior mass of the Acropolis now appears to be stable, and the citadel seems in no danger of splitting deep at its core.
The limestone that caps the Acropolis, though hard, is porous and water-soluble; the schist-sandstone foundation of the rock, though soft, is neither. Thus, water percolates down through the limestone only to be stopped by the impermeable layer below. It collects atop the seam and,
11. View of peripatos (north slope). The peripatos inscription is inscribed on the bottom of the upright block of Acropolis limestone at left. Photo: author.
as a result, it could be tapped at relatively shallow depths on the periphery of the Acropolis, where the limestone meets the schist-sandstone layer, where the forces of erosion have hollowed out caves or rock shelters, and where the water naturally emerges again in springs.2 In essence, then, the lower slopes of the Acropolis were full of natural reservoirs, and it was this ready supply of water that early on made it an attractive site for human occupation. At the northwest corner of the rock, shallow artesian wells tapped the supply as early as habitation can be documented at Athens, in the Neolithic period, and this is the area that became the location of the Klepsydra. Midway along the north side of the rock, Late Bronze Age (or Mycenaean) Athenians dug a well at the bottom of a deep, hidden fissure and built a remarkable stairway of wood and stone to reach it.3 On the south side, natural springs were thought sacred and played important roles in Classical cult (for example, in the Sanctuary of Asklepios [Figs. 12, 13; CD 153, 156]).4
This, then, was the easily defensible, relatively water-rich rock that would dominate the political, military, religious, and cultural history of
12. View of Asklepieion from east. Photo: author.
Athens - the hub of what the oracle of Delphi knew as "the wheel-shaped city."5 Historical Athenians called it the "Acropolis"6 or even just "polis." What the prehistoric inhabitants of Athens called it (and what divinities they first worshipped upon it), we do not know. There was a Classical memory of a distant time when the Athenians themselves were known as the Kekropidai or Kranaoi, after their prehistoric kings Kekrops and Kranaos, though there is no memory of what they called the Acropolis then.7 However, it is entirely plausible that they called it (and the small clusters of houses they eventually planted atop it and its slopes) Athene or, in the plural, Athenai, words that seem, etymologically, pre-Greek. If that is so, the rock lent its name to the patron deity who would be so particularly and strongly associated with it, the city goddess who was, in effect, imminent in the rock and whose principal sacred emblems or symbols - the owl, the snake, and the olive tree - dwelled or grew upon it. Some small trace of that primeval identity may, in fact, be preserved in Homer's Odyssey8 when Athene (an epic form of Athena) is said to travel to Athene (the city, in the singular): the words are the same and so, linguistically, the goddess visits herself. In short, it seems that Athena was in the beginning named after the rock. No matter what later myths, mythographers, and tragedians suggest, the city was not named after her.
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Table of Contents
1. The rock and the goddess; 2. Landscape of memory: the past on the classical acropolis; 3. Pericles, Athens, and the building program; 4. The Parthenon; 5. The Propylaia; 6. The Erechtheion (the classical temple of Athena Polias); 7. The sanctuary of Athena Nike; 8. The rest of the program; 9. Conclusion: the Periclean Acropolis as a whole.