|Publisher:||Knopf Doubleday Publishing Group|
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About the Author
Naguib Mahfouz was born in Cairo in 1911 and began writing when he was seventeen. His nearly forty novels and hundreds of short stories range from re-imaginings of ancient myths to subtle commentaries on contemporary Egyptian politics and culture. Of his many works, most famous is The Cairo Trilogy, consisting of Palace Walk (1956), Palace of Desire (1957), and Sugar Street (1957), which focuses on a Cairo family through three generations, from 1917 until 1952. In 1988, he was the first writer in Arabic to be awarded the Nobel Prize in Literature. He died in August 2006.
Reading Group Guide
1. How would you identify the novel you are reading in terms of style and genre? What does it have in common with Western literature you have read? What about it appears to be particularly "Middle Eastern"?
2. What did you find familiar in Mahfouz's stories? What parallels can you find in your own culture or experience to the life in Egypt he describes?
3. What elements of this novel are unfamiliar/alien to you? Do these merely reflect cultural differences or do they also address larger, more universal themes?
4. It has been suggested by many writers that there is a great contrast between the men and the women in Mahfouz's novels; that the men are weaker and more flawed than the women, who are strong and dependable. Does this appear to be true in the novel(s) you have read? How would you characterize the women in Mahfouz's fiction?
5. Mahfouz once said "If I had traveled, like Hemingway, I'm sure that my work would have been different. My work was shaped by being so Egyptian." Focusing on the particular works you have read, in what ways do you imagine the tone of the narrative and the perspective might change had the text been written by a more "worldly" author?
6. How does Mahfouz's literary rendering of Egypt affect your political perception of the country? Does it alter any preconceptions you may have brought to the work for better or for worse?
7. In his acceptance speech for the Nobel Prize for Literature in 1988, Mahfouz stated: "Man remembers what hurts more than what pleases." In what ways is this dictum borne out in his writings?
8. Many of Mahfouz's characters are derived from the lower and middle class strata of society. Yet hechooses to imbue all of his characters with a language that is considered to be classical literary Arabic as opposed to the colloquial dialects that would be more natural to their stations in life. Why do you think he does this? What effect does he achieve through the employment of this universal tongue?
9. When Mahfouz was awarded the Nobel Prize, many Arab and Egyptian intellectuals responded with mixed feelings. While on the one hand they were both pleased and proud that one of their own had achieved such recognition, on the other they wanted the world cautioned that his political views were not necessarily representative of the average Egyptian. What examples do you find in his writing that lead you to believe that there is a more "Western" sensibility at work here?
10. From 1949 to 1957, the books that Mahfouz produced were semi-autobiographical works of social realism. From 1961 to 1967, his output changed, with the pieces becoming existential and concerned with souls in a state of spiritual crisis. Since then, his approach has been eclectic. Consulting the publication chronology provided at the back of this guide, locate the period in which the book you have read came out, and discuss what elements there are in the writing style that identify it as belonging to that particular genre.
11. The novels, while possessing a timeless quality, are very much informed by a sense of place. Can you picture the events depicted here or the sensations of the characters occurring in our own society at any given point in our history? If so, when?
12. The Koran instills the belief and deference to one God. Often, the characters will refer to the "work of God" or view their fortunes as being "in God's hands." Discuss the theme of fate vs. personal determination that runs throughout the novels. How do religious beliefs protect and hinder us? How do they affect our ability to act?
13. With our Western ideology, we would view the lives of many of these women depicted as being little better than that of prisoners. But what does Mahfouz-- with the advantage of his Egyptian heritage-- think of their lives? Do you imagine that he shares our opinion that they are repressed, or do you think that he finds their existence satisfying and as it should be?
14. Discuss the role of women's complicity in their own repression-- both in Cairene society and in our own-- as typified by classic examples in the text of blaming the victim.
15. Like all societies, this one has superstitions that are specific to it. Identifying them, discuss the negative and positive functions that these superstitions serve for Cairene society.
16. The narratives are almost completely serious in tone, with occasional pinpoints of humor brightening the way. Discuss the techniques employed by the author to inject humor into the tales, and your opinion as to whether or not he is successful.
17. Can we-- hampered by our Western vision-- appreciate the inherent beauty of a culture so different from our own, or does our perception of the wrongness of human oppression blind us to this?
18. Usually, the author refers to his characters by name. But, now and again-- particularly during more dramatic moments-- he will refer to them as "the man" or "the woman." What effect do you suppose that Mahfouz is trying to achieve through his fashioning of this style?
19. In 1919, Egypt experienced a brief period of rebellion against the British colonial rule. In 1952, there was a revolution. Situating the piece you have read against this historical backdrop, how does Mahfouz's writing speak to you about a nation experiencing internal unrest before, during, and after these periods of turmoil?
Most Helpful Customer Reviews
Story of a Cairo family in the 1930s suddenly plunged into a life of poverty after the unexpected death of their father. Who among this family of mother, three sons and one daughter survives this reversal of fortune and who succumbs, and the effect societal expectations and mores on their fates, makes this a psychological page-turner.
Unbelievably great read. Mahfouz deconstructs Middle Eastern culture with a stirring insight that will stay with you long after you complete this book. The family dynamics is a journey onto itself and it manifests itself in a truly shocking ending. The characters are engrossing and the unfolding of their everyday lives will tug at your heartstrings. One of the most original and stimulating book I've read in a long time.
I had to read this book for a college course as well, and the cover through me off, I thought it was going to be a boring, confusing story. It turned out to be the complete opposite. I couldn't put it down, it was a good read.. scratch that, a GREAT read. Private life vs Public life and the mixture of the two. I enjoyed every page, but the first chapter really put tears in my eyes, the rest was captivating. Very easy to read, very interesting, and gets straight to the point. Felt like I was reading a play.
Mahfouz, is one of the contemporary Egyptian writers who creates a book that is moving and page turning. I had to read this book for my history class at the University of Pennsylvania, and it depicts the life and role of men and women in the Egyptian culture. It also depicts the class strife that emerged and provides an insightful view into Egyptian society. Not only does it provide such a deep analysis, but it also is a page turning book that keeps you in suspense of the conclusion. A masterpiece by all accounts