The Collected Novels Volume One: Pavilion of Women, Peony, and Imperial Woman

The Collected Novels Volume One: Pavilion of Women, Peony, and Imperial Woman

by Pearl S. Buck

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Overview

From the Nobel Prize–winning author of The Good Earth: These three novels are fascinating portraits of women in China.
 
In 1938, Pearl S. Buck became the first woman to win a Nobel Prize in Literature for The Good Earth, which had already earned her the Pulitzer Prize. Upon choosing Buck’s novel for her book club in 2004, Oprah Winfrey said: “Reading Pearl Buck’s writing feels like reading poetry to me. I just love the quiet rhythm of the words. They evoke the simple beauty of the characters and the harsh mystery of China’s ancient culture.” The daughter of missionaries, the New York Times–bestselling author would continue to explore many aspect of Chinese culture in her work, and the three novels collected in this volume represent some of her most compassionate and revealing fiction.
 
Pavilion of Women: This “vivid and extremely interesting novel,” set in early twentieth-century China, follows an upper-class wife’s quest for personal freedom (The New Yorker). After Madame Wu turns forty, she encourages her husband to take a young concubine so she can finally begin to discover her own mind—and a new world opens up before her as she reads forbidden books and studies English with a progressive former priest.
 
“Beautifully written . . . A fine, full flavorsome novel.” —Newsweek
 
Peony: A young Chinese bondmaid in nineteenth-century China falls in love with the son of the wealthy Jewish family she works for. As the couple’s traditions collide, their relationship faces opposition from every side.
 
Peony has the vividness of scene and episode and character and the colorful detail that [Buck’s] readers have come to expect of her novels in China.” —New York Herald Tribune
 
Imperial Woman: In this “richly woven . . . quite absorbing” New York Times bestseller, Buck brings to life the story of Tzu Hsi, the magnetic and fierce-minded woman who rose from concubine to become the working head of the Qing Dynasty and the last empress of China for nearly half a century (The Nation).
 
“Certainly, no fictioneer could imagine a more incredible woman. . . . Pearl Buck has done a remarkable and painstaking job in recreating her.” —Saturday Review

Product Details

ISBN-13: 9781504052115
Publisher: Open Road Media
Publication date: 03/13/2018
Sold by: Barnes & Noble
Format: NOOK Book
Pages: 1355
Sales rank: 657,474
File size: 23 MB
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About the Author

Pearl S. Buck (1892–1973) was a bestselling and Nobel Prize–winning author. Her classic novel The Good Earth (1931) was awarded a Pulitzer Prize and William Dean Howells Medal. Born in Hillsboro, West Virginia, Buck was the daughter of missionaries and spent much of the first half of her life in China, where many of her books are set. In 1934, civil unrest in China forced Buck back to the United States. Throughout her life she worked in support of civil and women’s rights, and established Welcome House, the first international, interracial adoption agency. In addition to her highly acclaimed novels, Buck wrote two memoirs and biographies of both of her parents. For her body of work, Buck received the Nobel Prize for Literature in 1938, the first American woman to have done so. She died in Vermont.
Pearl S. Buck (1892–1973) was a bestselling and Nobel Prize–winning author. Her classic novel The Good Earth (1931) was awarded a Pulitzer Prize and William Dean Howells Medal. Born in Hillsboro, West Virginia, Buck was the daughter of missionaries and spent much of the first half of her life in China, where many of her books are set. In 1934, civil unrest in China forced Buck back to the United States. Throughout her life she worked in support of civil and women’s rights, and established Welcome House, the first international, interracial adoption agency. In addition to her highly acclaimed novels, Buck wrote two memoirs and biographies of both of her parents. For her body of work, Buck received the Nobel Prize for Literature in 1938, the first American woman to have done so. She died in Vermont. 

Date of Birth:

June 26, 1892

Date of Death:

March 6, 1973

Place of Birth:

Hillsboro, West Virginia

Place of Death:

Danby, Vermont

Read an Excerpt

CHAPTER 1

It was her fortieth birthday. Madame Wu sat before the tilted mirror of her toilet case and looked at her own calm face. In her mind she was comparing it with the face she had seen in this same mirror when she was sixteen. On that day she had risen from her marriage bed early, for she had always been an early riser, and putting on her new chamber robe she had come into this same room and had taken her place before the toilet table. She had sat in her quiet fashion, easily motionless, and had gazed at her young face.

"Can it be that I look the same today as yesterday?" she had asked herself on that first morning after her marriage.

She had examined her face minutely, broad low forehead, yesterday stripped of its girlhood fringe, long eyes, delicate nose, the oval of cheeks and chin and the small red mouth, that morning very red. Then Ying, her new maid, had hurried in.

"Oh, Miss — Oh, Madame," she had faltered. "I thought today you would not be so early!" Ying's cheeks had been bright with blushes.

Madame's own cheeks were as pearly pale as usual, above the red mouth. "I like to get up early," she had replied in her usual gentle voice, the voice which in the night the young man whom she had never seen before had told her was like the voice of a singing bird.

At this moment, twenty-four years later, as though she knew what her mistress was remembering, Ying spoke from behind the heavy redwood chair. Her hands were busy with the coils of Madame Wu's shining, straight black hair, but she had now made these coils for so many years that she could lift her eyes from the task and look at the beautiful face in the mirror.

"Lady, you have changed not at all in these twenty-four years," Ying said.

"Are you thinking of that morning, too?" Madame Wu replied. She met Ying's eyes in the mirror with affection. Ying had grown stout in twenty years of being married to the head cook, but Madame Wu was as slender as ever.

Ying laughed loudly. "I was more shy than you that morning, Lady," she said. "Ai ya, how shy I was then — with how little cause, eh, Lady? It's only natural, what goes on between men and women, but then it seemed some sort of magic!"

Madame Wu smiled without reply. She allowed Ying complete freedom in all she said, but when she did not wish to carry on the conversation she made her smile fleeting and kept silence after it. Ying fell silent, too. She pretended dissatisfaction with a coil of the smooth black hair under her fingers, and pursing her lips, she let one strand down and put it up again. When it was finished she put two jade pins into the coil, one on either side, and wetting her hands with an oiled perfume, she smoothed Madame Wu's already sleek head.

"My jade earrings," Madame Wu said in her clear pretty voice. It was a voice so feminine that it concealed everything.

"I knew you would want to wear them today!" Ying exclaimed. "I have them ready."

She opened a small box covered with flowered silk and took out the earrings and fastened them carefully through Madame Wu's little ears. Twenty-four years ago young Mr. Wu had come into this room at the exact moment when she had dressed her mistress freshly in a soft wide-sleeved red satin coat over a pleated black satin skirt whose panels were embroidered, front and back, with birds and flowers. In his hand Mr. Wu had held this box. His handsome eyes were full of sleepy content. He had handed the box to Ying, being too well-mannered to speak to his bride before a servant. "Put these in your mistress's ears," he had said.

Ying had cried out over the flawless clarity of the jade and had held them before the bride's eyes. Those eyes had lifted to her husband for one moment before she dropped the lids with graceful shyness. "Thank you," she had murmured.

He had nodded, and then while the maid fastened them into her ears he had stood watching. Madame Wu had seen his face in this very mirror, the handsome full face of a willful and proud young man.

"Ai,' he had said, in a sigh of pleasure. Their eyes met in the mirror and each took measure of the other's beauty. "Go and fetch me hot tea," he had said abruptly to Ying, and at the sound of his voice the maid had been startled and scuttled away.

They were alone again, as they had been in the night. He had leaned over her and put his hands on her shoulders. He stared into her face in the mirror.

"If you had been ugly," he said, "I would have killed you last night on the pillow. I hate ugly women."

She had smiled at this, without moving under his hands. "But why have killed me?" she had asked in her pretty voice. "To have sent me home would have been enough."

She had been deeply excited that morning. Would he be intelligent as well as handsome, this husband of hers? That would be perhaps too much to ask. But if he were?

At this moment twenty-four years later, Ying now said, "Jade is as beautiful as ever against your skin. What other woman of forty can say this? It is no wonder that the master has never wanted another wife."

"Do not speak quite so loudly," Madame Wu said. "He is still asleep."

"He should wake early on your fortieth birthday, Madame," Ying replied. She rubbed her nose with the back of her hand. After all these years she felt she knew Mr. Wu, and of one thing she was certain: in spite of his fondness, he still did not appreciate enough his beautiful wife whom the whole house loved. Yes, of the sixty-odd souls under this roof, who did not love Madame Wu, from Old Lady down to the smallest grandchild and lowliest servant? If in the servants' quarters a new maid dared to grumble because the mistress saw the dust swept behind a door, Ying jerked her ears.

"This is the house of the Wu family," she said in her loud voice. "This is not a common house like Wang or Hua."

The head cook always grinned at this. All his life as a husband he had known that against the mistress, he was nothing in Ying's eyes. But indeed in this house even the two sons' wives had no evil to speak. Those narrow hands which Madame Wu held so often lightly clasped on her lap, were firm and kind while they ruled.

"I will have my breakfast," Madame Wu now said to Ying. "After I have eaten I will speak with my eldest son. You will dress me for the feast at noon. But keep watch over your master, and when he wakes let me know."

"That I will do, of course, Lady," Ying replied. She stooped to pick up a comb she had let fall. It was made of the fragrant sandalwood which was the scent Madame Wu used for her hair. Ying plucked a few long hairs from the comb and curled them carefully around her finger and put them in a small blue porcelain jar. She was saving these hairs against the day of her mistress's great old age, when it was possible she might need to thicken even her coil with a switch.

Madame Wu rose from the chair. She was ready for this day. A woman's fortieth birthday in a rich and old-fashioned family was a day of dignity. She remembered very well when her husband's mother had passed such a day, twenty-two years ago. On that day Old Lady had formally given over to her son's wife the management of the big house with its many members. For twenty-two years Madame Wu had held this management in her own hands, skillfully maintaining its outward habits so that Old Lady did not notice changes, and at the same time making many changes. Thus before Madame Wu had decided to do away with the overgrown peony bushes in the eastern garden, just outside these rooms, she had allowed the peonies to die one winter. When their strong red shoots did not push up as usual in the spring she called Old Lady's attention to this and helped her to decide that the peonies must have exhausted the soil and air in this garden, and therefore something else had better be planted here for a generation or two.

"Narcissus?" Madame Wu, then eighteen, had suggested gently. "Orchids? Flowering shrubs? I am only anxious to please you, Mother." But she had put orchids in the middle of the sentence. They were her preference. By putting them in the middle, Old Lady would think she did not care for them.

"Orchids," Old Lady said. She was fond of her daughter-in-law, but she liked to show her own authority.

"Orchids," Madame Wu had agreed. Within five years she had the finest orchid garden in the city. She spent a great deal of time in it. Now, in the early part of the sixth month of the year, the delicate silver-gray blossoms of the first orchids were beginning to bloom. By the eighth month the dark purple ones would be at their height, and by the ninth month the yellow ones.

She went from her own sitting room into this garden and plucked two of the scentless gray flowers and took them back with her into the room, where her breakfast was waiting. It was a slight meal, for she had never been able to eat much in the morning. Tea, rice congee in a small closed bucket of polished wood bound in silver, and two or three little dishes of dried salt meats stood on the square table in the middle of the room. She sat down and lifted her ivory chopsticks that at the upper end were held together by a thin silver chain.

A maidservant came in smiling. She carried in both hands a plate of long-life steamed rolls of bread, very hot. They were made in the shape of peaches, the symbol of immortality, and each one was sprayed with red dye.

"Long life, long life, Mistress!" the maidservant called in a coarse, hearty voice. "Mistress does not like sweet in the morning, I know, but we who are servants must bring these for good luck. The cook made them himself."

"Thank you," Madame Wu said mildly, "thank you all."

Out of courtesy she took one of the steaming rolls and broke it open. A dark sweet filling was inside, made of crushed beans and red sugar, "It is delicious," she said, and began to eat.

The woman was encouraged and leaned forward. "I ought not to tell you," she said in a loud whisper, "but I do it because I think of the good of the house. That old head cook, he is charging our Mistress three times the price in the fuel grass. Yesterday at the market I heard the price — it is high now, true, because the new grass is not in yet — but eighty cash a catty will buy as good as can be found. Yet he charges two hundred cash! He thinks he can do anything because Ying is your maid."

Madame Wu's clear black eyes took on a look of distance. "When he brings in the accounts, I will remember," she said. Her voice was cool. The woman remained an instant, then went away.

Madame Wu put down the roll at once and with her chopsticks picked up a bit of salt fish. She resumed her thoughts. She had no intention on this day of resigning her position to Meng, the wife of her eldest son. In the first place, she had four sons, two of whom already had wives. Old Lady had had only the one, and so there had been no question of jealousy between young wives. Her eldest son's wife, moreover, was very young. Liangmo had been married according to old-fashioned ways. She had chosen his wife for him, and this wife had been the daughter of her oldest friend, Madame Kang. It had not been her intention to marry Liangmo so quickly, since he had been only nineteen; but her second son, Tsemo, who had gone to a school in Shanghai, had loved a girl two years older than himself, and had insisted upon marriage at eighteen. This meant that Rulan was older than her sister-in-law, who was nevertheless her superior in the house. Out of this embarrassment, for which Madame Wu blamed herself in not having kept better watch over Tsemo, her only refuge now was to keep her own place for another few years, during which time anything might happen.

She would therefore announce no changes in the house today. She would accept their gifts and the great feast which was planned. She would be kind to the grandchildren, whom she warmly loved, and in all that was done she would defer to Old Lady, who was getting out of bed at noon especially to be at the feast.

For Madame Wu herself this was a day to which she had long looked forward with a strange mingling of relief and quiet sadness. The first part of her life was over and the second part about to begin. She did not fear age, for age had its honors for her. She would with each year gain in dignity and in the respect of her family and her friends. Nor was she afraid of losing her beauty, for she had allowed it to change with the years so subtly that it was still more apparent than her years. She no longer wore the flowering colors of her youth, but the delicacy of her face and skin were as clear now as ever against the soft silver blues and gray greens of her costumes. The whole effect of age upon her was one of refining and exalting rather than loss. Because she knew herself still beautiful, she was ready to do today what she had planned to do. A woman who had lost her looks might have hesitated through feelings of defeat or even jealousy. But she had no need to be jealous and what she was about to do was of her own clear, calm will.

She finished her breakfast. Everyone else in the family was still sleeping except the grandchildren, whom the amahs would be amusing in some corner of the vast compound until the parents awoke. But the children were never brought to her except when she called them. She was a little surprised, therefore, when in a few moments she perceived something like a commotion in the court just beyond her own. Then she heard a voice.

"It is not every day that my best friend is forty years old! Does it matter if I am too early?"

She recognized at once the voice of Madame Kang, the mother of Meng, her elder daughter-in-law, and she made haste to the door of the court.

"Come, please," she exclaimed, and held out both her hands, in one of them the two silver-gray orchids which she had taken again from the table.

Madame Kang lumbered across the court toward her friend. She had grown fat in the same years during which Madame Wu had remained exquisite, but she was too generous not to love her friend in spite of this.

"Ailien," she exclaimed, "am I the first to wish you long life and immortality?"

"The first," Madame Wu said, smiling. Servants, of course, did not count.

"Then I am not too early," Madame Kang said and looked reproachfully at Ying, who had tried to delay her. It was a rule in the house that no one should disturb Madame Wu while she took her breakfast because at a disturbance she would eat no more. Ying was not abashed. No one was afraid of Madame Kang, and Ying would have defied even the magistrate to gain an hour of peace for her mistress in the morning.

"I had rather see you than anyone," Madame Wu said. She linked her slender fingers into her friend's plump ones and drew her into the orchid garden with her. Under a drooping willow tree two bamboo chairs stood, and toward these the ladies moved. A small oval pool lay at their feet. At its bottom a clump of water lilies was rooted. Two blue lilies floated on the surface. Madame Wu did not care for lotus. The flowers were too coarse and the scent was heavy. Very minute goldfish darted in and out among the blue lilies, and paused, their noses quivering at the surface. When they found no crumbs there, they snatched themselves away and sprang apart, their misty tails waving behind them in long white shadows.

"How is your eldest son's son?" Madame Wu asked her friend. In the years when Madame Wu had borne her four living sons, and three children, who had died, of whom only one was a girl, Madame Kang had borne eleven children, six of whom were girls. There was none of the peace in Madame Kang's house that was here in this court. Around her fat, good-natured person was a continuous uproar of children and bondmaids and servants. Nevertheless, in spite of everything, Madame Wu loved her friend. Their mothers had been friends, and when one went to visit the other, each had taken her small daughter along. While the mothers had gambled all day and late into the night, the two little girls had come to be as close as sisters.

"He is no better," Madame Kang said. Her round red face which had been beaming like a lit lantern was suddenly woeful. "I am considering whether I should take him to the foreign hospital. What do you think?"

"Is it a matter of life and death?" Madame Wu asked, considering the matter.

"It may be, within a few days," Madame Kang replied. "But they say that the foreign doctor does not know how to tell what a sickness is without cutting people open to see. And Little Happiness is so small — only five, you know, Sister. I think his life is still too tender for him to be cut open."

"At least wait until tomorrow," Madame Wu said. "Let us not spoil today." Then, fearing lest she were selfish, she added, "Meanwhile I will send Ying with a bowl of broth made after an old recipe of my great-grandmother for just such a cough as he has. I have used it often on my first and third sons and more than once on their father. You know he has been troubled with a cough for the last two winters."

(Continues…)



Excerpted from "The Collected Novels Volume One"
by .
Copyright © 1984 Janice C. Walsh, Richard S. Walsh, John S. Walsh, Henrietta C. Walsh, Mrs. Chico Singer, Edgar S. Walsh, Mrs. Jean C. Lippincott, and Carol Buck.
Excerpted by permission of OPEN ROAD INTEGRATED MEDIA.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

Table of Contents

PAVILION OF WOMEN,
PEONY,
IMPERIAL WOMAN,
Foreword,
Part I: Yehonala,
Part II: Tzu Hsi,
Part III: The Empress Mother,
Part IV: The Empress,
Part V: Old Buddha,
A Biography of Pearl S. Buck,

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The Collected Novels Volume One: Pavilion of Women, Peony, and Imperial Woman 5 out of 5 based on 0 ratings. 1 reviews.
Anonymous More than 1 year ago
A ciltural, historic and wor k d vie we education. Great value for understanding apart from human beings at large, political rhetoric dictate the masses. Whomever has center stage has the responsibility of leadership, ending in the good or poor for the whole.