|Publisher:||Ashgate Publishing Ltd|
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About the Author
Table of Contents
Contents: The Heritage Series: an introduction, Lauri Ramey; Essays: 'The time of the whirlwind and the fire': Dudley Randall, the Heritage series and the Broadside Press connection, Melba Joyce Boyd; Whose images? Waring Cuney and the Harlem Renaissance idea of the poet's work, Lorenzo Thomas; Bardic memory and witness in the poetry of Samuel Allen, Edward A. Scott; Russell Atkins: 'Heretofore', Aldon Lynn Nielsen; Clarence Major and Mark Twain abroad, Linda F. Selzer; Spiritual witness in the poetry of Dolores Kendrick, Joanne V. Gabbin; Audre Lord: the voice of multiple consciousness, Margaret Kissam Morris; Ray Durem: take no prisoners, Lauri Ramey; Owen Vincent Dodson: faith and sorrow; sorrow and faith, Inga R. Ivory; Calvin C. Hernton: portrait of a poet, Lauri Ramey; Contributors of essays. Memoirs and Interviews: The Heritage series: a memoir (excerpts), Paul Breman; Paul Bremen's Heritage series of Black poetry, Clarence Major; Poetry and the Heritage series, Sonia Sanchez; Reflections on the Heritage series, Dolores Kendrick; Heritage and 'Black' poetry in the 1970s, Amon Saba Saakana; Paul Breman and Black poetry, Samuel Allen; Ebele Oseye as poet, Earl McKenzie; The responsibility and power of art, Ebele Oseye/Ellease Southerland; 'Bout me, 'bout you, 'bout us (excerpts), Ron Fair; The comic vision of Robert Hayden: a brief remembrance, Fred M. Fetrow; Memories of my father, Ray Durem, Vida Boyd Durem; W.E.B. Du Bois and Shirley Graham Du Bois in the Netherlands, 1958, Marc Breman. Statements on Poetry and Poetics: Statement, Ray Durem; Statement, Calvin C. Hernton; Statement, Audre Lorde; Statement, Conrad Kent Rivers; Statement, James W. Thompson; Introduction: The Wright Poems by Conrad Kent Rivers, Ron Fair; On Negritude, Lloyd Addison; First editorial as editor of The New African (excerpt), Mukhtarr Mustapha. Poems: This because, A countless accounting, Lloyd Addison; There are no tears, The lingering doubt, Samuel Allen; To be whole again, Nkemka Asika (Frank John); At night keep still, Ventilating day at the mall down by the lake, Threnodic phantasies for example, Russell Atkins; Variations for di prima, Harold Carrington; Lil and Joe, Long gone, My prayer, Nineteen-twenty-nine, Picture, Carry me back, Waring Cuney; About Maurice, To Maurice, A dun, Pedagogy, Blues, blues, Married woman, Compensation, Caution, Pretty Ann, A decoration for the president, Ray Durem; Pausing, Ron Fair; The red crab gang 3, The red crab gang 15, Ohio listening, Calvin C. Hernton; Keep on, Frank John (Nkemka Asika); The daily grind, Fenton Johnson; Intermezzo, My mother listens to Cavalleria Rusticana, The cleaning woman, Hattie Elder, Sisters before the rain (for Mary Frances Dagostino), Dolores Kendrick; Martha, Audre Lorde; My corner, Patience, Night driving and daydreaming, Wednesday or Saturday, Three, Clarence Major; The job, Willard Moore; Statement, Ants, Violet crows, 5/6/4/3/4, Mukhtarr Mustapha; Meru, Night in Nigeria, Process, One of these mornings, Ebele Oseye/Ellease Southerland; Black all day, Raymond Patterson; The profile on the pillow, Dudley Randall; Night letter from Paris, Conrad Kent Rivers; An image of you, Amon Saba Saakana. Bibliography of Heritage series poets; The Heritage Press archives; Index.
What People are Saying About This
"A rich and revelatory portrait of one of the most extraordinary publishing ventures in the history of African diasporic literature. To read this research compendium is to revise the map of 1960s black poetry, to sense the submarine links among writers across the Atlantic and across generations. With its inclusion of Harlem Renaissance forerunners as well as mid-century modernists and Black Arts experimentalists, the Heritage Series' visionary company forces us to recalibrate our understanding of the politics of poetic innovation."--(Brent Hayes Edwards, Columbia University, and author of The Practice of Diaspora: Literature, Translation, and the Rise of Black Internationalism (2003))