The Speed of Sound: Hollywood and the Talkie Revolution 1926-1930

The Speed of Sound: Hollywood and the Talkie Revolution 1926-1930

by Scott Eyman

Paperback(Reprint)

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Overview

From acclaimed author Scott Eyman comes the fascinating story of how the transition from silent films to ‘talkies’ transformed Hollywood.

It was the end of an era. It was a turbulent, colorful, and altogether remarkable period, four short years in which America’s most popular industry reinvented itself.

Here is the epic story of the transition from silent films to talkies, that moment when movies were totally transformed and the American public cemented its love affair with Hollywood. As Scott Eyman demonstrates in his fascinating account of this exciting era, it was a time when fortunes, careers, and lives were made and lost, when the American film industry came fully into its own.

In this mixture of cultural and social history that is both scholarly and vastly entertaining, Eyman dispels the myths and gives us the missing chapter in the history of Hollywood, the ribbon of dreams by which America conquered the world.

Product Details

ISBN-13: 9781501103834
Publisher: Simon & Schuster
Publication date: 04/21/2015
Edition description: Reprint
Pages: 432
Sales rank: 1,173,693
Product dimensions: 6.10(w) x 9.20(h) x 1.40(d)

About the Author

Scott Eyman has written fifteen books, three of them New York Times bestsellers, including John Wayne: The Life and Legend. His most recent book is Hank and Jim. He has been awarded the William K. Everson Award for Film History by the National Board of Review. He teaches film history at the University of Miami and lives in West Palm Beach with his wife, Lynn.

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The Speed of Sound: Hollywood and the Talkie Revolution 1926-1930 5 out of 5 based on 0 ratings. 1 reviews.
Guest More than 1 year ago
Scott Eyman's masterful research of the Talkie Revolution is a must-read for silent-film and early sound-film fans. He covers early unsuccessful sound-film attempts, some of the last great silent film classics like THE CROWD and SUNRISE, Warners' and Fox's different sound systems, and many other topics. The main scope of the book is the period from 1926-1930. The focus of the book is on how the business of filmmaking and the art of filmmaking was completely changed with the coming of the talking movie. Careers were born and destroyed overnight. Sometimes a performer's voice was a problem in sound films. In other cases, like John Gilbert's, the studio thought that he was too expensive and the type of film that was his forte became passe. For a couple of years, the sound-man was the most important person on a movie set.
Eyeman's book is comprehensive, but not comprehensive enough. Curiously, he gives short shrift to some comedians like Charlie Chaplin, Buster Keaton, and Raymond Griffith. Except for a brief mention of the British change-over, the book focuses exclusively on Hollywood studios. He covers all of the bases such as legal wrangling over patents, financial profits and losses, the problems that studio artists encountered in making sound films, and the many poor films that were produced in the early sound era. If you like classic films, you will love this book.