An Indie Next List Pick An Amazon Editors’ Pick for Summer Fiction One of iBooks "Summer's Most Anticipated Books" Belletrist Book Club's June Book of the Month A New York Times Book Review “New & Noteworthy” SelectionAn O, the Oprah Magazine "Top Book of Summer" A Town & Country "Best Book to Read This June"A Southern Living "Best New Book of Summer" A Bitter Southerner “Upcoming Southern Novel We Can’t Wait to Read” A Refinery29 "Quick Beach Read Practically Written For Weekend Getaways"A Globe and Mail "Coolest Book of the Season" A Publisher’s Lunch “Highly Anticipated” Title A Summer 2019 Indie Next List Pick, “For Reading Groups” "Captivating...[Pittard] brings her kaleidoscopic perspective to a catastrophe on an epic scale...With her keen eye for social markers and a deft weave of intersecting storylines, Pittard exposes social fissures and tensions over race and class, and how power and privilege play out in the shadows of grief."—Los Angeles Times “Pittard’s novel combines a sense of personal loss and turmoil with greater societal change as the civil rights movement arrives at its peak.”—New York Times Book Review, A “New & Noteworthy” selection "Pittard’s earlier novels [...] established her as a formidable writer. The prose in Visible Empire [...] remains assured, polished, readable, and she renders a 1962 Atlanta that is vivid and just-enough interconnected. Ultimately, Pittard shoulders the burden of history with responsibility and resolve, and a brave imagination."—Atlanta Journal-Constitution "On June 3, 1962, a flight carrying more than 100 of Atlanta's wealthiest residents crashed on takeoff from Paris. Pittard's kaleidoscopic novel, a fictionalized account of that disaster and its aftermath, illuminates the personal and communal grief (and, in some cases, wicked delight) of those left behind."—O, the Oprah Magazine, "Top Books of Summer" "The writing throughout is masterful, bringing this turbulent time in local history to living, breathing life. A triumph."—Toronto Star “Beautiful…In Pittard’s masterful hands, the intricately woven plots and personalities that make up Visible Empire are relatable and corporeal...Pittard’s command of voice is so dexterous and adroit…it takes an author of [her] caliber, finesse and nuance to articulate such a complicated place and time as Atlanta in the 1960s."—ArtsATL "In 1962, Air France Flight 007 crashed upon takeoff and all 122 passengers—a group of prominent Atlanta citizens taking an inaugural jaunt on a route from Paris to Georgia—died. In this, the latest novel from Listen to Me author Hannah Pittard, that real-life crash kicks off a fictional series of events that changes a city and its people forever."—Town & Country, "The Best Books to Read This June" "In the emotional aftermath of the June 1962 Paris plane crash that killed 120 of Atlanta’s leading citizens, a chorus of grieving survivors tell tales of love and loss, even as their city — often divided by class and race — seeks to cope with change and uncertainty."—Minneapolis Star Tribune, "Summer Books" "Pittard's excellent novel fictionalizes the tragic true event that changed the lives of so many Atlantans."—Refinery29, "15 Quick Beach Reads Practically Written For Weekend Getaways" "With the captivating Visible Empire, [Pittard] brings her kaleidoscopic perspective to a catastrophe on an epic scale...With her keen eye for social markers and a deft weave of intersecting storylines, Pittard exposes social fissures and tensions over race and class, and how power and privilege play out in the shadows of grief."—National Book Review “Remarkable…There’s a really surprising range in the characters’ experiences and in what [Pittard] explores…Well-researched and deeply considered."—BookRiot, “All the Books” "Visible Empire has made several best-of-summer-reads lists, but it’s more than a cottage companion. Its theme alone — that staggering chaos can serve to bring clarity to life, that the least of us can find our path again — makes it a read to be remembered and shared."—Winnipeg Free Press "Based on the true story of Air France flight 007 – which crashed after takeoff in Paris en route to Atlanta in 1962 – Visible Empire is a tensely wound novel that follows the shock waves of this forgotten air disaster across a hot, humid summer. The plane was a charter, chock full of Georgia’s biggest names in the arts, the manifest of the fallen a who’s who list in Atlanta society. Grief rises like a miasma over Hannah Pittard’s fourth novel, but it’s also a love story of sorts, centred around newspaperman Robert and his estranged wife Lily, unexpectedly left penniless after the death of her wealthy parents in the crash."—Globe and Mail, "46 Coolest Books to Read this Summer" "Atlanta native Pittard fills the novel with historical details, local points of reference, and distinct examinations of race and class...making it an evocative and discussion-worthy choice for readers who appreciate vivid settings."—Booklist “A dizzying yet compelling, dramatic read...Pittard's literary prowess is on full display through her ability to intermingle fact with fiction.”—Shelf Awareness, Maximum Shelf "This historical fiction novel is based on a real plane crash in Paris in the 1960s that killed over 100 of Atlanta’s wealthiest patrons of the arts. It unfolds through the eyes of the people who lost loved ones in the crash or were affected by the tragedy. Most notable is the character Piedmont, a young black man whose story demonstrates racial tensions in the south during the civil rights movement."—Hello Giggles, "Books coming out this week" “Visible Empire starts out as an examination of a mass tragedy and slowly morphs into something more intimate and revelatory. Hannah Pittard’s novel is a deeply resonant portrait of individuals—and a city—in the throes of grief, and on the cusp of momentous change.”—Tom Perrotta, author of Mrs. Fletcher and Little Children “Hannah Pittard knows that Faulkner was right: the past is never dead - it isn't even past. In her stunning novel, Visible Empire, she brings harrowing incidents from 1962 into the present with the vivid immediacy of a documentary film. Writing of love, family, race, devastating loss, redemption, riveting mysteries revealed, Pittard composes a grand symphony of profound incidents and passages of life—a compassionate, spellbinding novel.”—Howard Norman, author of My Darling Detective “Visible Empire tells of a community altered by tragedy and of citizens brought together by calamity. But it is also about the disasters we cause and the wreckage we must sift through afterward in order to understand the more mysterious aspects of our hearts. For those who've been following Pittard since The Fates Will Find Their Way, it's a thrilling book to read because it is to witness an important writer climb to new heights, and then soar.”—Adam Ross, author of Mr. Peanut “Visible Empire is Hannah Pittard's best book to date. Compelling, shocking, strong and brave. Who should read this? Everyone, everyone.”—Helen Ellis, author of American Housewife “While stitching together the threads of several lives linked to a horrifying air disaster, Hannah Pittard unravels the fabric of their larger social world, revealing the true horror. Her prose is daring and confident, stellar and sharp. This is highly charged writing, a gripping and satisfying story.”—Bobbie Ann Mason, author of In Country and The Girl in the Blue Beret “Hannah Pittard is fast becoming one of the best writers of her generation, fusing the best aspects of literary and commercial fiction. Read her now, and thank me later.”—Tom Franklin, author of Crooked Letter, Crooked Letter “In Visible Empire Hannah Pittard has written a work that is intricate, emotionally difficult and frequently moving. It's a view of the past that tells us much of what we need to know about the present.”—Rion Amilcar Scott, author of Insurrections
The real-life crash of a charter plane full of Atlanta's white elite is the inspiration for a fictional examination of race, class, love, and betrayal.In the summer of 1962, more than 100 Atlanta art lovers were about to return from their junket to the great museums of Italy and France when their jet crashed during takeoff at Orly. The only member of the tour group who didn't perish was Raif Bentley, who took a slightly later plane because he and his wife, parents of three, had a policy of never flying together. In Pittard's (Listen to Me, 2016, etc.) re-imagination of the aftermath of this disaster, Raif returns home to an emotionally ravaged world. His good friends Robert and Lily Tucker, a couple expecting their first child, have lost both of Lily's parents, and Robert, an editor at the Atlanta Journal, has lost his young mistress, a writer from the paper whom he sent to cover the trip. So devastated is he that he walks out on pregnant Lucy that very day and goes into a messy, booze-soaked free fall. The Tuckers' separate perspectives on what happens after that are two of several angles among which the narration rotates. People who have no connection to the crash—Piedmont Dobbs, a 19-year-old African-American who's just left home, and Anastasia Rivers, an opportunistic white beauty who does exhibition diving at a hotel—enter the story as it becomes a study of the effect of privilege on relationships in Atlanta, circa 1962. Some of the angles are more gripping and believable than others; in particular, the engrossing and moving plotline involving Piedmont carries the book and makes some of the rest of it seem rather thin. By the time the novel climaxes at a Fourth of July party held in an over-the-top mansion built on the site of a lynching, one can't help but notice that the plane crash is actually pretty tangential to its main concerns.Within this book is an excellent novel that would have been stronger with a less complicated treatment.